“Historia de una maestra” (Story of a Teacher) at Madrid’s Teatro Valle-Inclán: Arguing for Education as a Way of Life
The power of education as a tool for emancipation and democratic thinking has been the subject of...
Read MorePosted by Maria Delgado | 28th Dec 2025 | Review, Spain
The power of education as a tool for emancipation and democratic thinking has been the subject of...
Read MorePosted by Maria Delgado | 28th Dec 2025 | Review, Spain
The House of Bernarda Alba has engendered no shortage of spin-offs — dance and film adaptations...
Read MorePosted by Maria Delgado | 28th Dec 2025 | Review, Spain
La Cubana have been making theatre for over 45 years – stagings that have reimagined popular...
Read MorePosted by Ilinca Todoruţ | 26th Dec 2025 | Congo, Festivals, Japan, Review, Theatre and Dance
Laying Historical Ground, Wide-angle Towards the end of Faustin Linyekula’s theatrical dance piece...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
El día del Watusi (The Day of the Watusi) gets a second outing at the Teatre Lliure. First seen in...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
How do we learn to forgive, especially in the aftermath of a massacre that has no rational...
Read MorePosted by Maria Delgado | 26th Dec 2025 | Review, Spain
There is no shortage of plays on the subject of mid-life crisis, from Alan Charles’ Midlife Crisis...
Read MorePosted by Susanna Sun | 24th Dec 2025 | Adaptation, Interview, United States of America
Praised by the Houston Chronicle as “one of the most original voices in American theater today,”...
Read MorePosted by Lorena Meeser | 12th Dec 2025 | Mexico, Musical Theatre, Review
Mexico City becomes once again the stage for a major musical-theater event. After more than a year...
Read MorePosted by Daniel Meyer-Dinkgräfe | 12th Dec 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MorePosted by Marcina Zaccaria | 11th Dec 2025 | Festivals, LGBTQ+ Theatre, New York
“It’s completely organic. We take the best work from the United States, New York City, and around the world. We’ve worked with artists from 117 countries, 30 tribal nations. Every year in our Festival, you’re going to see, we have somewhere between 20 and 25 countries represented by maybe 30 states.”
Read MorePosted by Margaret Rose | 10th Dec 2025 | Italy, Review, Theatre and Gender
In late November, Emma Dante brought her latest show, L’Angelo del focolare (The Angel of the...
Read MorePosted by Vassili Schedrin | 7th Dec 2025 | Adaptation, Review, United States of America
Dostoevsky is hard to read, harder to translate, and even harder to adapt for stage. The Mutt by...
Read MorePosted by S.E. Gontarski | 4th Dec 2025 | Directing, Essay, Transmedia
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Verity Healey | 2nd Dec 2025 | Acting, Review, Theatre and Politics, United Kingdom
Representation in the performing arts in the UK is in crisis. For years, voices have been warning...
Read MorePosted by Xunnan Li and Yuan Du | 2nd Dec 2025 | China, Festivals, News
The Dangdai Xiao Juchang Xiqu Jie (Contemporary Black Box Xiqu Festival), operated at Star Theatres, has been a significant engine for contemporary experimentation of Xiqu (Chinese traditional theatre) since its establishment in 2014. Now entering its 12th year in 2025, the festival has supported more than 200 experimental Xiqu projects, drawing millions of audience members from across China. It remains one of the earliest and most influential cultural clusters where emerging Xiqu artists can articulate their creative voices in a flexible, low-cost, and artist-centred environment. Reading the slogan “He He” (和合harmony and collaboration) of this year’s festival and speaking with its founder and CEO, Mr. Fan Xing, I argue that this longstanding initiative has grown into a hybrid cultural space and the meaning of “He He” performatively means a harmonious collaboration between the futurist experimentation and the deep-rooted nostalgia.
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Seda Ilter | 23rd Nov 2025 | Review, Theatre and Politics, Turkey, United Kingdom
In October 2025, Battersea Arts Centre hosted Aşınma (Corrosion) – a multi-award-winning theatre...
Read MorePosted by Margaret Rose | 23rd Nov 2025 | Adaptation, Italy, Review
Two major productions of Richard III are touring Italy in the present season, a sign perhaps that...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 


Evil Can Appear Beautiful by Margaret Rose 23rd November 2025
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025