Welcome To The Machine
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
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Review
James Graham’s “Punch” at the Apollo Theatre: Compelling And Emotionally Intense Account Of Restorative Justice
Broken Britain has a big problem with youth. About a million of those aged 16 to 24 are NEETs (not...
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“Full Moon” by Josef Nadj at the Festival of International Alternative Theatre (FIAT) in Montenegro
“By the term theatre we do not only mean its expressive linguistic side, but also the cultural,...
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Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
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Cruelty, Guilt, And Redemption Intertwine In “The Mutt” At IATI Theater
With minimal décor and symbolism in every gesture, The Mutt — an adaptation of Dostoevsky’s The...
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Violence and Therapy: 29th International Shakespeare Festival in Gdańsk, Poland, 2025
The International Shakespeare Festival in Gdańsk is not the festival of masterpieces and it never...
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Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
At German theatres, some assistant directors are employed for the duration of a production, from...
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Shakespeare In The Park At The New Delacorte Theater: Love Is Gender Fluid
In a world where the rule is to make huge efforts to attain an “effortless, relaxed” look, the new...
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Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
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“When Billy Met Alasdair” At The Scottish Storytelling Centre, Edinburgh Festival Fringe 2025
Writer-actor Alan Bissett’s When Billy met Alasdair imagines what happened when Alasdair Gray...
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German Summer Festival Theatre (2): Domfestspiele Verden, “Die Zündholzfrau”
In 1997, an association was founded in the German city of Verden on the river Aller, located...
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“No Apologies” by Emma Frankland, Edinburgh Festival Fringe 2025
Emma Frankland’s No Apologies achieves something genuinely rare: a radical reimagining that...
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“The Ego” by Anemone Valcke and Verona Verbakel, Edinburgh Festival Fringe 2025
Anemone Valcke and Verona Verbakel’s The Ego emerges from Ontroerend Goed’s theatrical...
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“Riot Days” by Pussy Riot, Edinburgh Festival Fringe 2025
What is the purpose of performing arts when the stakes are literally life and death? Pussy...
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“Thanks for Being Here” by Ontroerend Goed, Edinburgh Festival Fringe 2025
The Belgian Company Ontroerend Goed have been coming to the Edinburgh Fringe for so long that I...
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German Summer Festival Theatre (1): Theatersommer Wismar, Brecht/Weill The Threepenny Opera
Over the summer months, all of the publicly funded state and municipal theatres, as well as...
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“Aether”, Edinburgh Festival Fringe 2025
Emma Howlett’s Aether arrives with impressive academic credentials—consultations with...
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“Little Bulb: Listen Dance”, Edinburgh Festival Fringe 2025
What does it take to get you up on your feet and into the groove? Whatever your disposition,...
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Duncan Macmillan’s Every Brilliant Thing at @Sohoplace: Moving Mixture Of Joyous Theatricality And Serious Mental Health Themes
Slowly, very slowly, the audience begins to arrive. Taking their seats, shedding jackets,...
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“A Poem And A Mistake,” Edinburgh Festival Fringe 2025
At the Edinburgh Fringe, the solo show, A Poem and a Mistake, is playing for the entire month of...
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