Playwriting Awards in Taiwan: Recognition and Reality
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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Featured
Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Culture Belongs To Humanity! Not To The Armies
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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Тim Rice – 80: The Нero and His Many Anniversaries. Part II
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
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Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
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A Canadian Epic: “Come From Away”
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
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Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
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V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/1-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
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Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
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Philip Ridley’s Tarantula at the Arcola Theatre: Blazingly Emotive And Beautifully Poetic Account Of Trauma From A Master Penman
Even the best streamed theatre can’t compete with the live version. It’s simple — with this art...
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Disability, Kink, and Joy as Resistance in The Dan Daw Show
The Dan Daw Show’s long list of potentially triggering content includes depictions of kink...
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Roy Williams’s The Lonely Londoners at the Kiln Theatre: Superb Stage Adaptation Of The Classic Sam Selvon Windrush Novel
Is resilience the most powerful character trait? When you think about the suffering of the...
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Sitting Down with Theater Artist Kate Rankine
Lyricist/Librettist Kate Rankine has a list saved on her phone of “golden moments”, or “little...
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