A Few Minor Subjects: An Interview with Mikołaj Mikołajczyk
What is a classical approach for you? Thinking. Position. Discipline in my daily routine,...
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I Want You Out Of My Sight: “Rainbow Stand 2012” and LGBTQ Rights in Poland
In an interview following Strzępka and Demirski’s receipt of the Polityka Passport Pawel Demirski...
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There is No Single Mainstream: Conversation With Wojtek Ziemilski About Devised Theatre
Talk with Wojtek Ziemilski Look around–nowadays even ads for shoes are often bolder than the...
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“O dobru (On Goodness)” and Arts Censorship in Poland
The last piece written by Demirski and directed by Strzępka brings a simple, and yet a very...
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The 16th Shakespeare Festival in Gdańsk
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
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Baryshnikov And Krymov Collaborate For The Ages
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
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Polish Movie Nite Presents Marcella Faustini: An Introduction To The Theatre Of Tadeusz Kantor
The following essay is the fifth in this six-part column for CR. Developed during Polish Movie...
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Russian Actress Wins Kudos In D.C.
Irina Koval, who was raised in St. Petersburg, brings her training from Lenfilm Studios and a...
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Les Kurbas’ Descendants
Modern and avant-guard as an extreme attempt of national revival. Large-scale international...
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Kyiv Pectoral: The Theater On Podil Wins 6 Out Of 14 Awards
Unfortunately, the 20th anniversary of Ukraine’s only professional theater award failed to become...
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Bogusław Schaeffer: Poland’s Renaissance Man
Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...
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Artur Żmijewski’s “The White Mass” – On Church and Theatre
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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Greek Chorus Variations: Oratorium Dance Project
Theatre Association, based in Łodź, which runs a theatre and education center offering a series of...
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The Impossibility Of The End: Krzysztof Warlikowski’s “Apollonia”
Does the end mean a promise of fulfillment? Or is it just its illusion, a delusive prospect of...
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Preaching From The Chorus – Soundscape of Marta Górnicka’s Theatre
“I want to create a new kind of chorus theatre,” says Marta Górnicka. If Tu Mówi Chór…...
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But Why Are They Indispensable?
In his latest premiere, Koprofagi, Jan Klata abandons all the strategies that secured him his...
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The End Of The Line: Krystian Lupa’s “Waiting Room.o”
What Lupa staged in Wrocław was simply a bad play. Waiting Room.0 is an intentional formal and...
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If You Were To Do Tadeusz Różewicz’s “The Card Index”…
The National Audiovisual Institute released a new DVD publishing with The Card Index directed by...
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Death In Wroclaw: On Grotowski’s Legacy
In her debut film, Małgorzata Dziewulska takes on a challenging task: revising Grotowski’s...
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Maslowka In NYC: Virgin Seduction: Conversation With Paul Bergetto
I feel there’s a straight line from Mrożek to Dorota. She’d probably kill me if she heard me say...
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