GPS M S Biomechanics System Vs. Narcissism: “Shouting, Making Faces, And Being Crazy Is NOT Enough To Be A Clown”
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
Read MorePosted by Ivanka Apostolova Baskar | 8th Apr 2026 | Denmark, Interview, Kazakhstan, Theatre and Dance
An Interview with Mr. Denni Dennis, internationally renowned dancer, performer, educator-trainer...
Read MorePosted by Aleks Sierz | 8th Apr 2026 | Adaptation, Review, United Kingdom
Okay, this is odd. The original novel, Les Liaisons dangereuses, first published in 1782, features...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Apr 2026 | Acting, Germany, Review, Theatre and Politics
In 2016, Austrian director Christian Krönes and colleagues launched their two-hour documentary...
Read MorePosted by Marcina Zaccaria | 7th Apr 2026 | Interview, New York, Playwriting
was a student of Lee Strasburg in his private class. I was directing around town, off-off Broadway, and in other areas in New York. I was invited to go to his Directors Unit at The Actors Studio for my first play that I was going to direct. I actually sat down and wrote a play, a one act play. When my play was acted at The Actors Studio, Cheryl Crawford brought in a financial man to hopefully give money to the Studio. He was so moved by the play that he gave $50,000 to the actual Studio. Lee Strasburg, who doesn’t show much emotion, was deeply moved by the play, and he encouraged me to really continue writing plays.
Read MorePosted by Ivanka Apostolova Baskar | 7th Apr 2026 | Côte d'Ivoire, Interview, Macedonia, Management
An Interview with Mr. Hassane Kassi Kouyaté, Chair of the International Artistic Committee of MASA...
Read MorePosted by Lisa Monde | 2nd Apr 2026 | Interview, Musical Theatre, United States of America
Dedicated to the composer’s 25th Broadway anniversary David Yazbek burst onto Broadway a...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Apr 2026 | Directing, Germany, Review
Falk Richter was born in 1969. He studied linguistics, philosophy and theatre directing at the...
Read MorePosted by Duška Radosavljević | 1st Apr 2026 | London, Review, United Kingdom
Who better to breathe new life into Shakespeare’s Tempest than Tim Crouch – a magician...
Read MorePosted by Maria Delgado | 29th Mar 2026 | Argentina, Review
Luciana Acuña is one of the most exciting figures in contemporary dance. Her energy lit up La edad...
Read MorePosted by International Ibsen Award Committee 2026 | 27th Mar 2026 | News, Norway, South Korea, Transmedia
A week ago today, the winner of the 2026 Ibsen International Award was announced by the Norwegian...
Read MorePosted by Maria Delgado | 26th Mar 2026 | Review, Spain
For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Mar 2026 | Directing, Germany, Review, Theatre for Young Audiences
The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since...
Read MorePosted by Ivanka Apostolova Baskar | 25th Mar 2026 | Directing, Festivals, Interview, Macedonia, Montenegro
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
Read MorePosted by Marcina Zaccaria | 25th Mar 2026 | Featured, Festivals, Interview, New York
It is ridiculous to think that it’s not enough to curate a Festival. I would stack up our good to bad ratio against any network season, any Hollywood studio, any program season. It’s impossible to look at a script six months out and know what you’re going to have on stage. It’s just not possible. I’ve helped curate too many Festivals to know that what we read has nothing to do with what ends up on stage, so this method is has been tested since 2007, and we have some amazing shows come through here.
Read MorePosted by Maria Delgado | 24th Mar 2026 | Argentina, Review, Spain
What does it mean to be honest with your partner? This is the premise that governs Salomé...
Read MorePosted by Alexander Fatouros | 24th Mar 2026 | New York, Review, Theatre and Art, United States of America
If you’ve ever felt like you were just playing a part in your own life—waiting for a big break or...
Read MorePosted by Ivanka Apostolova Baskar | 19th Mar 2026 | Interview, Macedonia, Slovenia, Translation
An Interview with Mr. Muanis Sinanovic (Slovenia), poet, writer, essayist, and critic. Muanis...
Read MorePosted by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | 17th Mar 2026 | Essay, Poland, United Kingdom
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
Read MorePosted by Berna Ataoğlu | 17th Mar 2026 | Adaptation, Canada, Netherlands, Review, Theatre and Politics
Adapted from the Booker Prize–winning novel by Irish author Paul Lynch, Prophet Song is staged by...
Read MorePosted by Milton Coykendall | 16th Mar 2026 | Adaptation, Directing, Germany, Review
I first saw Rainer Werner Fassbinder’s Film, The Marriage of Maria Braun not long after it first...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 

The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026
Marketing, Sales And Production Are Crucial For The… by Ivanka Apostolova Baskar 16th March 2026