FITPTI – International Festival For Young Audiences 2025 – A Northeastern Romanian Story
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read More
Teodora Medeleanu is a PhD student at “George Enescu” National Arts University Iași, in a cotutelle with the University of Gdańsk, with a thesis focused on the pandemic’s influence on today’s theater. Currently based in Gdańsk, Teodora is engaging in drama teaching alongside her postgraduate research. Graduate theater director, with a Master’s Degree in arts management and entrepreneurship, her main interests are centered on discovering new ways of expressing herself artistically and on analyzing possible new theoretical landmarks. Furthermore, she has broadened her field of work through translations of theatrical studies and interviews, and periodic reviews of international theater productions at the Timpul cultural magazine.
Posted by Teodora Medeleanu | 31st Oct 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MorePosted by Teodora Medeleanu | 10th Aug 2025 | Poland, Review, Theatre and Science
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MorePosted by Teodora Medeleanu | 6th Aug 2025 | Poland, Review, Theatre and Religion
Jumping from one story to another or from a specific timeline to an entirely different one seems,...
Read MorePosted by Teodora Medeleanu | 7th Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Invisible Lands, a two-performer act, initially presents itself as a nonverbal production with...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
Depicting an odyssey on stage is rather a challenge, especially when the main means of transport...
Read MorePosted by Teodora Medeleanu | 1st Jul 2024 | Review, Romania, TESZT 2024, Transmedia
TESZT 2024 brings, from Zagreb Youth Theatre, Borut Šeparović’s production Youth Without God, on a...
Read MorePosted by Teodora Medeleanu | 29th Jun 2024 | Review, Romania, TESZT 2024, Transmedia
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read MorePosted by Teodora Medeleanu | 22nd May 2024 | Poland, Review, Theatre for Young Audiences
In spite of all open-mindedness, attending family performances as an adult can be, initially at...
Read MorePosted by Teodora Medeleanu | 25th Mar 2024 | India, Review, Theatre and Gender
The question of universality faces entire series of utterly new answers, but not all of them find...
Read MorePosted by Teodora Medeleanu | 7th Mar 2024 | Review, Transmedia, Ukraine
The performance follows four women in different parts of Ukraine, at various distances from the...
Read More
The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 


“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 