Miranda Laurence

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Invisible Diaries: Garden

Posted by Miranda Laurence | 20th Jul 2020 | Dramaturgs’ Network: Invisible Diaries, Dramaturgy, Essay, United Kingdom

This article is part of the Dramaturgs’ Network’s Invisible Diaries series. In a moment of freedom...

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Invisible Diaries: Body and Space

Posted by Miranda Laurence | 15th Jul 2020 | Dramaturgy, Essay, United Kingdom

This article is part of the Dramaturgs’ Network’s Invisible Diaries series. At the moment, my...

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An Expansive and Permeating Work Embracing Death and Humanity: A Paradox for Our Times: Gregory Maqoma – “Cion: Requiem of Ravel’s Bolero”

Posted by Miranda Laurence | 23rd Nov 2019 | Dance Umbrella 2019, Review, South Africa, Theatre and Dance, United Kingdom

In darkness, a quiet sobbing, acutely intimate in the vastness of the Barbican main stage. Now...

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A Quietly Bold Statement from a New Artist with a Lot to Tell: Oona Doherty’s “Hard to be Soft” at Dance Umbrella Festival at Southbank Centre, London

Posted by Miranda Laurence | 3rd Nov 2019 | Dance Umbrella 2019, Review, Theatre and Dance, United Kingdom

My senses are all awakened. It begins in the darkness. A curl of smoke rises from a dimly lit bowl...

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Taking My Shoes Off: Dramaturgy By Movement

Posted by Miranda Laurence | 24th Nov 2018 | Dramaturgy, Essay, United Kingdom

My mode of being, as a dramaturg, begins with looking and continues with language. Much of my work...

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Telling A Thai Tale: A Dance Dramaturg’s Take

Posted by Miranda Laurence | 11th Nov 2018 | Dramaturgy, Essay, Thailand, Theatre and Dance, Transcultural Collaborations, United Kingdom

“When I collaborate, I want to collaborate with the wrong person.” Pichet Klunchun, Thai dancer,...

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An Intricate Rumination On The Partnership Between Music And Dance

Posted by Miranda Laurence | 2nd Nov 2018 | Dance Umbrella 2018, Festivals, London, Review, Theatre and Dance, United Kingdom

Concert, By Colin Dunne, Dance Umbrella Festival 2018, London, Barbican The important thing about...

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