Hayel Ali Al-Mathabi

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The Theater of Metaverse

Posted by Hayel Ali Al-Mathabi | 10th May 2025 | Essay, Festivals, Theatre and AI, Theatre and Science

Introduction It seems that the mission of the father of arts, “theatre”, as well as...

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“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]

Posted by Hayel Ali Al-Mathabi | 18th Sep 2024 | Interview, Romania, Theatre and AI, Transcultural Collaborations, Transmedia

To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...

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“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]

Posted by Hayel Ali Al-Mathabi | 18th Sep 2024 | Interview, Romania, Theatre and AI, Transcultural Collaborations, Transmedia

Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...

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Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

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