Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
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Posted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Emily Cordes | 29th Mar 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
Read MorePosted by Emily Cordes | 22nd Jul 2022 | Devised Theatre, Interview, New York, Transcultural Collaborations, United States of America
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
Read MorePosted by Emily Cordes | 12th Jun 2022 | Adaptation, Review, Transmedia, United States of America
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
Read MorePosted by Emily Cordes | 8th Aug 2021 | New York, Review, United States of America
The last several years in our shared history, particularly the rise of discriminatory legislation,...
Read MorePosted by Emily Cordes | 4th Jun 2021 | New York, Review, Theatre and Dance, United States of America
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
Read MorePosted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Emily Cordes | 10th Sep 2020 | Covid-19, Festivals, Review, Transmedia, United States of America
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
“Lale Lili Marleen:” The Promising… by Daniel Meyer-Dinkgräfe 10th October 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025 
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025 