Woman Is A Changeling: Redefining Femininity In “Maiden Mother Crone”
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Emily Cordes | 8th Mar 2025 | Review, Theatre and Gender, United States of America
But a woman is a changeling, always shifting shape Just when you think you have it figured out...
Read MorePosted by Emily Cordes | 4th Jan 2024 | Interview, Musical Theatre, New York, Theatre and Politics, United States of America
Presented by NYC’s Piper Theatre, Aftermath is a new pop musical-in-development written by Daniel...
Read MorePosted by Emily Cordes | 29th Mar 2023 | Documentary Theatre, Interview, New York, Theatre and Politics, United States of America
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
Read MorePosted by Emily Cordes | 22nd Jul 2022 | Devised Theatre, Interview, New York, Transcultural Collaborations, United States of America
“The Aliens Make Thanksgiving Dinner” is a new devised play, co-written, co-directed...
Read MorePosted by Emily Cordes | 12th Jun 2022 | Adaptation, Review, Transmedia, United States of America
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Emily Cordes | 10th Feb 2022 | Design, New York, Review, Theatre and Gender, United States of America
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
Read MorePosted by Emily Cordes | 22nd Oct 2021 | Directing, New York, Review, United States of America
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
Read MorePosted by Emily Cordes | 8th Aug 2021 | New York, Review, United States of America
The last several years in our shared history, particularly the rise of discriminatory legislation,...
Read MorePosted by Emily Cordes | 4th Jun 2021 | New York, Review, Theatre and Dance, United States of America
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
Read MorePosted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Emily Cordes | 10th Sep 2020 | Covid-19, Festivals, Review, Transmedia, United States of America
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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A Theatre Of Boredom And Theatrical Distrust (André… by S.E. Gontarski 4th December 2025
Dostoevsky on Stage. “The Mutt” by Anoushka… by Vassili Schedrin 7th December 2025 

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025 
The 12th Dangdai Xiao Juchang Xiqu Jie (Contemporary… by Xunnan Li And Yuan Du 2nd December 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025 
Evil Can Appear Beautiful by Margaret Rose 23rd November 2025