“Between Riverside And Crazy,” Hampstead Theatre
It’s often said that contemporary American playwrights are too polite, too afraid of giving...
Read MoreAleks Sierz FRSA is a British theatre critic. He is author of In-Yer-Face Theatre: British Drama Today (Faber, 2001), The Theatre of Martin Crimp (Methuen, 2006), John Osborne’s Look Back in Anger (Continuum, 2008) and Rewriting the Nation: British Theatre Today (Methuen, 2011). He has also written, co-authored with Lia Ghilardi, The Time Traveller’s Guide to British Theatre: The First Four Hundred Years (Oberon, 2015). His latest book is Good Nights Out: A History of Popular British Theatre 1940–2015 (Methuen, 2019). Sierz has written for publications including Tribune, The Arts Desk and The Stage, as well as newspapers such as The Independent.
Posted by Aleks Sierz | 25th May 2024 | London, Review, Theatre and Politics
It’s often said that contemporary American playwrights are too polite, too afraid of giving...
Read MorePosted by Aleks Sierz | 4th May 2024 | Review, Theatre and Gender, United Kingdom
Readers who don’t think much of football won’t be surprised to hear that this tale of murder and...
Read MorePosted by Aleks Sierz | 1st May 2024 | Documentary Theatre, Review, United Kingdom
British theatre’s love of theatre about theatre offers a chance for some moments of meta, but do...
Read MorePosted by Aleks Sierz | 22nd Apr 2024 | Dramaturgy, Review, United Kingdom
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Aleks Sierz | 19th Mar 2024 | Review, Theatre and Politics, United Kingdom
Before the internet, newspapers were central to the national conversation in Britain. By the first...
Read MorePosted by Aleks Sierz | 14th Mar 2024 | London, Review, Theatre and Politics, United Kingdom
For me, this is the most emotional show on the London stage. Why’s that? Because it’s about Nye...
Read MorePosted by Aleks Sierz | 6th Mar 2024 | Review, Theatre and Politics, United Kingdom
It’s election year so the gaze of British theatre turns towards the National Health Service. But,...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Aleks Sierz | 26th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
It’s a sign of the times that German director Thomas Ostermeier’s West End debut is his production...
Read MorePosted by Aleks Sierz | 14th Feb 2024 | Adaptation, London, Playwriting, Review, United Kingdom, Uruguay
Nowadays it seems that it’s the fringe and Off-West End venues that are keeping the spirit of...
Read MorePosted by Aleks Sierz | 11th Feb 2024 | London, Playwriting, Review, Theatre and Gender, United Kingdom
In West End theatre, the cliché that nothing succeeds like success keeps the wheels of commerce...
Read MorePosted by Aleks Sierz | 31st Jan 2024 | London, Review, United Kingdom
Jane Austen is not just a classic novelist — she’s a cultural institution and a national treasure....
Read MorePosted by Aleks Sierz | 1st Jan 2024 | Acting, Playwriting, Review, United Kingdom
This transfer of Jack Thorne’s hit National Theatre play to the West End has been hailed as...
Read MorePosted by Aleks Sierz | 7th Dec 2023 | Playwriting, Review, Russia, Theatre and Age, United Kingdom
The recent news that Russia’s Supreme Court has banned the “international LGBT movement”,...
Read MorePosted by Aleks Sierz | 25th Nov 2023 | London, Review, Theatre and Politics, United Kingdom, Worldwide
Journalism is a despised profession. And when you consider the story behind the interview that...
Read MorePosted by Aleks Sierz | 5th Nov 2023 | London, Review, United Kingdom
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance...
Read MorePosted by Aleks Sierz | 28th Oct 2023 | London, Review, Theatre and Politics, United Kingdom
Multiculturalism, according to the Home Secretary, has failed, so where does that leave British...
Read MorePosted by Aleks Sierz | 24th Oct 2023 | London, Review, Theatre and Gender, United Kingdom
Famous sex scandals don’t always make good plays. Although the tabloid nature of such events...
Read MorePosted by Aleks Sierz | 23rd Oct 2023 | Adaptation, Books, London, Review, United Kingdom
Why are stage adaptations of bestselling novels so disappointing? Okay, I appreciate the...
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