Ashley Chang

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Ashley Chang is a Doctor of Fine Arts Candidate in Dramaturgy and Dramatic Criticism at Yale School of Drama, where she examines the intersections of theater, performance, and ecology in scholarly criticism and artistic practice from the 1990s to the present. She has presented her research at Modern Language Association (MLA), American Society For Theatre Research (ASTR), Association for Theatre in Higher Education (ATHE), Canadian Association for Theatre Research (CATR), and the Beyond Humanism Conference Series, and she is a co-convener of the Ecology & Performance Working Group at the ASTR/TLA Annual Conference. She is the recipient of two Mark Blankenship Awards and a Writing Fellowship from Yale School of Drama; a Digital Humanities Lab Seed Grant from Yale University; and a grant to attend the School of Criticism and Theory at Cornell University. She has served as a Lecturer in the Conservatory of Theatre Arts at Purchase College, an Adjunct Professor in the Department of Theater Arts at University of New Haven, and a teaching fellow at Yale College and Yale School of Drama. Following appointments as Artistic Associate at Page 73, Literary Associate at Yale Repertory Theatre, Co-Artistic Director of Yale Cabaret's 49th season, and Managing Editor of the Yale Theater Management Knowledge Base, she is now Dramaturg at Playwrights Horizons.
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Most Popular Posts
Starlight Express The Musical: 40 Years in The Orbit by Lisa Monde 14th November 2024 From Lawyer to Lyricist/Librettist: An Artist… by Morgan Skolnik 7th February 2025 Rameau reinvented: Peter Sellars stages… by Maria Delgado 3rd February 2025 Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024 Roy Williams’s The Lonely Londoners at the Kiln… by Aleks Sierz 20th January 2025Тim Rice – 80: The Hero and His Many Anniversaries. Part I by Lisa Monde 30th December 2024
Lucy Kirkwood’s “The Welkin”… by Margaret Rose 4th February 2025 Sitting Down with Theater Artist Kate Rankine by Morgan Skolnik 17th January 2025There Is Nothing To Know About The Theatre, There Is… by Ivanka Apostolova Baskar 5th February 2025
A Feline Farewell: “MEOW!” Excavates… by Andrew Agress 15th January 2025
Recent Posts
- Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging 10th February 2025
- Тim Rice – 80: The Нero and His Many Anniversaries. Part II 7th February 2025
- From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon 7th February 2025
- A Dystopian Sci-Fi: “Honey, I’m Home” 6th February 2025
- There Is Nothing To Know About The Theatre, There Is Everything To Discover About Theatre 5th February 2025
- Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan 4th February 2025
- A Canadian Epic: “Come From Away” 4th February 2025
- Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris 3rd February 2025
- V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II] 2nd February 2025
- V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I] 2nd February 2025