Sharing Crafts, Or Laboratory Space
Encounters between artists and practitioners are invariably profound experiences, where knowledge...
Read MorePosted by Kiki Selioni | 12th Jan 2026 | Essay, Poland, Transcultural Collaborations
Encounters between artists and practitioners are invariably profound experiences, where knowledge...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Aleks Sierz | 8th Jan 2026 | Acting, London, Playwriting, Review, United Kingdom
New Year, new line up of West End stars. This time it’s the turn of Olivier-Award-winner Sheridan...
Read MorePosted by Susanna Sun | 7th Jan 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
Read MorePosted by Kuan-Ting Lin | 6th Jan 2026 | Interview, Playwriting, Taiwan
It’s very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works...
Read MorePosted by Susanna Sun | 4th Jan 2026 | Review, Theatre and Politics, United States of America
Berlin at Chicago’s Court Theatre (April–May 2025) was nothing short of a theatrical...
Read MorePosted by L. Peter Callender | 3rd Jan 2026 | Iran, Review, Theatre and Politics, United States of America
We all know the iconic closing lines: “For never was a story of more woe / Than this of...
Read MorePosted by Verity Healey | 3rd Jan 2026 | Review, United Kingdom
“So high you can kiss the sky” is one of the many iconic lines from With Ruby and I, a debut show...
Read MorePosted by Verity Healey | 2nd Jan 2026 | Kosovo, Review, South Africa
How do forgiveness and reconciliation projects help heal a country’s collective trauma and...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jan 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MorePosted by Savas Patsalidis | 2nd Jan 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Jan 2026 | Directing, Germany, Review
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
Read More


“L’amor venia amb taxi” (Love Arrived By… by Maria Delgado 28th December 2025 


Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 