Dialoguing With The Classics In Madrid: “La Fortaleza/The Fortress” And “Macho Grita/Alpha Male Shouts”
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Duncan Wheeler | 16th Aug 2024 | Review, Spain, Theatre and Politics
Twenty-first-century theatre practitioners in the west typically fear irrelevance more than...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Italy, Review, United Kingdom
The five-hundred-year history of Italy’s Commedia dell’Arte is neatly packed into Masquerade, a...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
A unique feature of Edinburgh’s Fringe festival is its inclusive nature. Professional and...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Spoken word poetry has a huge following in the UK, and Luke Wright is one of the most talented...
Read MorePosted by Margaret Rose | 16th Aug 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
On the Edinburgh Fringe the number of plays investigating climate change is growing each year, and...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026