It’s Ella Hickson’s Moment (Of Honesty)
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
Read MorePosted by Riley Rudy | 7th Nov 2018 | Interview, London, Playwriting, Theatre and Gender, United Kingdom
How her truth split critics and why she doesn’t really care Ella Hickson stopped worrying...
Read MorePosted by Dimitris Tsatsoulis | 7th Nov 2018 | Greece, Review
Euripides’ Ion – Director: Ioli Andreadi – “Alfa Idea” Theatre – Athens Staging...
Read MorePosted by Robyn Grant-Moran | 7th Nov 2018 | Canada, Interview, Theatre and Opera
Note: Robyn Grant-Moran interviews I Call Myself Princess playwright Jane Lauzon and director...
Read MorePosted by Iris Winston | 7th Nov 2018 | Canada, Review
Cliffhanger by James Yaffe in Ottawa Little Theatre. As the plot of Cliffhanger unfolds gently, it...
Read MorePosted by Michael Appler | 7th Nov 2018 | New York, Review, United States of America
While Eve’s Song hopes to confront systemic issues of violence and race in America, it looks to do so amidst the microscopic setting of the family table — not a microcosm of these problems but an island that seeks to distance itself from them.
Read MorePosted by Erik Ulfsby | 7th Nov 2018 | Directing, News, Norway
For me, as a director, it is important that the artistic idea and concept emerge from the story...
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