The Mariinsky Dramatizes Difference With A Wry Look At The “Two Camps”
St. Petersburg company returns to the UK with classic works contrasting Russian characters with...
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Month: October 2014
Tom Stoppard Backs Moscow’s Teatr.doc
British playwright, director, and screenwriter Tom Stoppard has written an open letter in support...
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Striking, Original Theatre: Heiner Goebbels At The Melbourne Festival
When the Mountain Changed its Clothing, the Heiner Goebbels-directed show currently on at the...
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Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
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Vladimir Sorokin Takes The Stage
The premier of Telluria caused little controversy when it opened in St. Petersburg. Maybe Russian...
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Mikhailovsky Theater Ready For Its Turn In The Spotlight
While not as well known as the Bolshoi or the Mariinsky, the Mikhailovsky Theater’s leadership...
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“The Complexity Of Belonging” At The Melbourne Festival–Reviewed
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
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Ulrike Syha Interviews Dominique Dolmieu
Ulrike Syha: When was Eurodram, a network for drama in translation, founded? What was the initial...
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Yury Lyubimov, For whom History was a Home
The death of Yury Lyubimov in Moscow on Sunday morning, October 5, 2014, at the age of 97, puts...
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Terrorism, Truth, and Trust – How Dramaturgy Informs Real Life
Drama and its core principles are to be found in theatres while the real world goes on outside,...
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