Tag: Vsevolod Meyerhold

Samara Hersch: Theatre For The People, By The People

Posted by Jeremy Moran | 15th Apr 2019 | Australia, Directing, Interview

Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...

Read More

The 10 Best-Known Russian Plays And Where To See Them In Moscow And St. Petersburg

Posted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia, Russian Theatre - Featured

From Fonvizin and Chekhov to Tolstoy, all on stage. The most famous Russian authors wrote not only...

Read More

Hooligan Communism: Why Did The Bolsheviks Ban Their Very First Propaganda Performance?

Posted by Oliver Bennett | 22nd May 2018 | Essay, Russia, Theatre and Politics

Despite being a revolutionary and futuristic masterpiece by Mayakovsky, Meyerhold, and Malevich,...

Read More

The Origin of Armenian Theatre and Transformation of Theatrical Process.

Posted by Ani Harutyunyan | 30th Sep 2016 | Armenia, Directing, Essay

The 20th century became a critical point for Armenian theatre. The development of artistic process...

Read More

3 Russian Contributions To Theater That Changed The World

Posted by Alexandra Guryanova | 29th Mar 2015 | Acting, Essay, Russia

In honor of World Theater Day on March 27, RBTH presents three of Russia’s greatest contributions...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest