Transnational Chinese Theatres in Pandemic Times
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Rossella Ferrari | 22nd Nov 2020 | China, Hong Kong, News, Singapore, Taiwan, Transcultural Collaborations
I have hesitated for a while to engage with the increasingly ubiquitous “[insert own subject...
Read MorePosted by Diogo Spinelli | 13th Apr 2017 | Brazil, Uruguay
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
Read MorePosted by Walter Byongsok Chon | 28th Oct 2016 | News, South Korea, Translation
The article below is one I wrote for the E-Newsletter Hamilton Dramaturgy’s ScriptForward! back in...
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 


Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 