“Macbeth (An Undoing)”: A New Take That Aims To Reimagine Lady Macbeth’s Path – But Ultimately Leaves You Guessing
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
Read MorePosted by Kate Hunter | 24th Jul 2024 | Adaptation, Australia, Review
What if significant portions of William Shakespeare’s text for Macbeth had been lost, leading to a...
Read MorePosted by Gill Foster | 19th Jul 2024 | Musical Theatre, Review, United Kingdom
In the preface to The Picture of Dorian Gray (1890), Oscar Wilde wrote: “There is no such thing as...
Read MorePosted by Huw Griffiths | 16th Jul 2024 | Adaptation, Australia, Review
The figure of Dracula has always lived somewhere between the written word, screen projections and...
Read MorePosted by Alana Lentin | 3rd Jul 2024 | Review, Theatre and Politics, United States of America
Anchuli Felicia King’s new one-performer piece, American Signs, written for the talented Catherine...
Read MorePosted by Jonathan Graffam-O’Meara | 5th Jun 2024 | Australia, Review, Theatre and Religion
Music pumps; lights pulsate; two sweaty bodies sway together, touching, breathing in each other’s...
Read MorePosted by Sarah Austin | 1st Jun 2024 | Australia, Review, Theatre and Disability
Back to Back Theatre is an internationally lauded ensemble of collaborators based in Geelong. With...
Read MorePosted by Catherine Campbell | 22nd May 2024 | Australia, Review, Theatre and Politics
Symphonie of the Bicycle is a tour de force. Actor and writer Hew Parham takes the audience...
Read MorePosted by Vanita Yadav | 15th May 2024 | Australia, Review, Theatre and Dance
The complex and grappling issue of violence against women takes centre stage in the soul-stirring...
Read MorePosted by Alexander Howard | 30th Apr 2024 | Australia, Review, Theatre and Politics
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
Read MorePosted by Sarah Austin | 27th Apr 2024 | Australia, Review, Theatre and Gender
The relationship between witchcraft and teenage girls has been the subject of many books, films...
Read MorePosted by Ian Maxwell | 16th Apr 2024 | Australia, Review, Theatre and Gender
Angus Cerini’s Into the Shimmering World is an unforgiving and, frankly, bleak meditation on what...
Read MorePosted by Huw Griffiths | 28th Mar 2024 | Australia, LGBTQ+ Theatre, Review
Walking through Chippendale on my way to Sydney’s Belvoir Street Theatre, where this production of...
Read MorePosted by Julie Andrews | 23rd Mar 2024 | Australia, Documentary Theatre, Review
Guernsey number 37 belonged to Aboriginal star football player Adam Goodes when he played for...
Read MorePosted by Kate Maguire-Rosier | 2nd Feb 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
Read MorePosted by Kate Maguire-Rosier | 29th Jan 2021 | Australia, Festivals, Review, Sydney, Sydney Theatre Festival 2021
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
Read MorePosted by Aleks Sierz | 22nd Jul 2020 | Essay, United Kingdom
This is the age of marketing, not the age of criticism. To give an example, I’ll start with a...
Read MorePosted by Bryoni Trezise | 8th Jun 2019 | Australia, Review, Theatre and Gender
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read MorePosted by Aleks Sierz | 5th Sep 2017 | India, London, Review, Theatre and Politics, United Kingdom
Gandhi has a lot to answer for. I don’t mean the saintly campaigner for Indian independence, who...
Read MorePosted by James Butterwick | 13th Nov 2016 | Review, Russia, Theatre and Opera
Olfactory perception – Shostakovich conkers? Whilst I am in the moron category regarding love of...
Read More



“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026 