Guilt And Resilience, And “The Fear Of 13”
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Teodora Medeleanu | 3rd May 2026 | Acting, Adaptation, New York, Review, United States of America
What if the guilt one feels on the death row is not for what he has (allegedly) done? The Fear of...
Read MorePosted by Teodora Medeleanu | 27th Apr 2026 | Review, Theatre and Gender, United States of America
Perhaps one of the strangest experiences one can have when moving to a new place is watching a...
Read MorePosted by Jonathan Kalb | 10th Apr 2026 | New York, Review, United States of America
Mark Rosenblatt’s new play Giant is a sensational, admirable, and courageous effort to Make...
Read MorePosted by Ivanka Apostolova Baskar | 25th Mar 2026 | Directing, Festivals, Interview, Macedonia, Montenegro
An Interview with theatre director and theatre festival manager Zoran Rakocevic,...
Read MorePosted by Maria Wojtan, Magdalena Borowska, Natalia Rutkowska, Barbara Herbasz | 17th Mar 2026 | Essay, Poland, United Kingdom
In February 2025, after completing The Geography of the Theatre Imagination: The Case of...
Read MorePosted by Ivanka Apostolova Baskar | 11th Mar 2026 | Interview, Macedonia, Playwriting, Slovenia
Rok Vilčnik (b. 1968), also known as rokgre, is a prominent Slovenian author, poet, playwright,...
Read MorePosted by Jonathan Kalb | 4th Feb 2026 | Playwriting, Review, United States of America
At the risk of sounding smug, let me say: I have been yowling, since the early days of the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jan 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MorePosted by Teodora Medeleanu | 31st Oct 2025 | Festivals, Review, Romania
In Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday,...
Read MorePosted by Jonathan Kalb | 22nd Oct 2025 | Musical Theatre, Review, United States of America
The Terrence McNally/Stephen Flaherty/Lynn Ahrens musical Ragtime is not the subtlest theater...
Read MorePosted by Jonathan Kalb | 14th Oct 2025 | Adaptation, Review, United States of America
James Graham’s play Punch tells the true story of a shiftless, belligerent rowdy who heedlessly...
Read MorePosted by Jonathan Kalb | 5th Oct 2025 | Review, Theatre and Politics, United States of America
Among the most depressing facets of Donald Trump’s pathology is how all-consuming his hunger for...
Read MorePosted by Margaret Rose | 18th Aug 2025 | Edinburgh 2025, Review, Scotland, United Kingdom
The Edinburgh International Festival this year, welcomes several international trailblazers like...
Read MorePosted by Margaret Rose | 13th Aug 2025 | Edinburgh 2025, Review, Scotland
The expression ‘Athens of the North’, the title of the play in the present review, conjures up an...
Read MorePosted by Teodora Medeleanu | 10th Aug 2025 | Poland, Review, Theatre and Science
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MorePosted by Teodora Medeleanu | 6th Aug 2025 | Poland, Review, Theatre and Religion
Jumping from one story to another or from a specific timeline to an entirely different one seems,...
Read MorePosted by Margaret Rose | 8th May 2025 | Italy, Review, Theatre and Politics
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MorePosted by Cristina Modreanu | 7th Apr 2025 | Review, Theatre and Gender, United States of America
Did you knit your scarf? A woman asked me while we were waiting in the line for the restroom. No!...
Read MorePosted by Berna Ataoğlu | 3rd Apr 2025 | Playwriting, Theatre and Gender, Turkey
Turkish writer, theatre critic, and academic Zehra İpşiroğlu’s book Woman Plays features...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 