Brief Notes Towards A Definition Of Leftfield Theatre
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by Aleks Sierz | 7th Jun 2020 | Applied Theatre, Essay, United Kingdom
In his wide-ranging, and widely read, survey of postwar British theatre, called State of the...
Read MorePosted by Maria Jovita Zárate | 10th Mar 2020 | Adaptation, Philippines, Review, Theatre and Politics
In Orteza’s and director Sigion-Reyna’s Katsuri, representations of sacada (sugar farmers in the island of Negros) veer away from the typical, almost iconic, images of the sacadas as rendered by the social realist painters of the 70s— hoodied heads, a pair of eyes peering from layers of cloth wrapped around their faces, and hunched bodies. Katsuri’s stage harbored a diverse group of farmworkers housed in a kuwartel (quarter, usually of horses), carrying their own physicalized expressions of angas (spunk), a thin cache of spunk that fizzles out when the hacienda foreman and his overbearing son swing by to make routine inspections.
Read MorePosted by Mert Dilek | 19th Dec 2019 | London, Review, United Kingdom
It is hard to believe that Shelagh Delaney wrote A Taste of Honey when she was only nineteen. This...
Read MorePosted by Mert Dilek | 26th Oct 2019 | London, Review, Theatre and Gender, United Kingdom
Believe me when I tell you that there is much more to Alice Birch’s play [BLANK] than meets the...
Read MorePosted by Aleks Sierz | 20th Jan 2019 | Essay, Playwriting, United Kingdom
There is a simple dinner-party game that can be played at no ostensible cost. The host asks, “Who...
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