Tag: Ranga Shankara

Akarsh Khurana’s Play “The F Word” Is A Darkly Comic And Relatable Dive Into Family Complexities

Posted by Praveen Sudevan | 30th Nov 2023 | India, Interview, Playwriting

The F Word, according to Akarsh, is a deeply personal conversation about parents, children,...

Read More

Dante Meets Bharatanatyain This Experimental Theatre Performance at Ranga Shankara

Posted by Praveen Sudevan | 27th Dec 2021 | Adaptation, India, Interview, Transcultural Collaborations

Italian theatre director Anna Dora Dorno talks about her project, Dante Beyond Borders. Italy was...

Read More

Bangalore Has Easily Become India’s No. 2 Theatre Hub

Posted by Akarsh Khurana | 23rd Apr 2019 | India, Management, News

With growing talent and audiences, Bangalore has easily become the country’s No. 2 theatre hub,...

Read More

For Better Or For Worse: The Pros And Cons Of Theatre Relationships

Posted by Akarsh Khurana | 18th Jul 2018 | Acting, Essay, India

Traveling with the troupe results in fun stories. And sometimes in marriage. Last month I attended...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025

Recent Posts

Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest