Dimension Zero: All Judy, No Punch
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MorePosted by Morgan Skolnik | 17th Nov 2025 | New York, Puppetry, Review
Dimension Zero, the new sci-fi puppet musical from the Boxcutter Collective, arrives at HERE arts...
Read MorePosted by Camilla Nelson | 29th Apr 2023 | Australia, Review, Sydney, Theatre and Gender, Theatre and Politics
Just over 10 years ago, then-Prime Minister Julia Gillard stood up in the House of Representatives...
Read MorePosted by Jack Wernick | 28th Jan 2021 | New York, Review, Theatre and Politics, United States of America
Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...
Read MorePosted by Yi Yang | 12th Aug 2020 | China, News, Theatre and Politics
Viewers in the People’s Republic have embraced Lin-Manuel Miranda’s unconventional approach to...
Read MorePosted by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
Read MorePosted by Jack Wernick | 18th Mar 2019 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Skinnamarink is a deliriously diverting new production by Little Lord, a performance ensemble that...
Read MorePosted by Mohammed al-Zaidi | 6th Jul 2018 | Iraq, News, Theatre and Politics
Every Friday, locals in the city of Kut flock to what’s now known as “the Tigris street of...
Read MorePosted by Jessica Rizzo | 1st May 2018 | Philadelphia, Review, United States of America
As The Basic Byebye Show comes to an end, a pair of enormous papier mâché angel’s wings protruding...
Read MorePosted by Jack Wernick | 2nd Jun 2017 | New York, Review, Theatre and Politics, United States of America
From the dimming lights at the top of the play to their final fade 90 minutes later, Building The...
Read MorePosted by Jack Wernick | 26th May 2017 | Interview, New York, Playwriting, Theatre and Politics, United States of America
Robert Schenkkan first came to national prominence in 1992, when his epic play The Kentucky Cycle...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 



“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026 