68th Sterijino pozorje: A critical dialogue
The 68th Sterijino pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and...
Read MorePosted by Andrej Čanji and Borisav Matić | 6th Sep 2023 | Festivals, Review, Serbia
The 68th Sterijino pozorje took place earlier this summer in Novi Sad. Critics Borisav Matić and...
Read MorePosted by Lynette Goddard | 10th Dec 2021 | Playwriting, Review, United Kingdom
“There’s a sidestep that Europe does where it takes itself out of the triangle… I’m never quite...
Read MorePosted by Jelena Gvozden | 2nd Aug 2020 | Croatia, Interview, Playwriting
We continue our conversation with Espi Tomičić, a Croatian playwright and “boy from the...
Read MorePosted by Jelena Gvozden | 31st Jul 2020 | Croatia, Interview, Playwriting
Espi Tomičić is a new playwright on the Croatian theatre scene but already garnered attention for...
Read MorePosted by Fides Schopp | 1st May 2016 | Austria, Interview, Playwriting
College of inspiration from playwright Anna Gschnitzer’s desk. Do plays require a different...
Read MorePosted by Julian Meyrick | 14th Apr 2015 | Dramaturgy, Essay, North America
This is a long-read essay, the second in a series on playwriting and drama by Julian Meyrick. Part...
Read MorePosted by Julian Meyrick | 8th Apr 2015 | Australia, Essay, Playwriting
We all know whether a given play, film or TV drama “works” or not, but it’s often difficult to...
Read More
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 

The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 