Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by Aleks Sierz | 23rd Apr 2020 | Adaptation, Directing, Germany, Review, Theatre and Film, Theatre and Gender, Transmedia
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by Jane Baldwin | 30th May 2019 | Boston, Playwriting, Review, United States of America
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
Read MorePosted by Joe Szekeres | 23rd Jul 2018 | Adaptation, Canada, Review, Theatre and Gender
To see actors who have received proper professional training in the use of two core...
Read MorePosted by Alvina Ruprecht | 25th Jun 2018 | Canada, Festivals, Review
They bill this as a burlesque cabaret but it goes far beyond that form because it actually tells...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026