Honey, I’m Home! — Robert Icke’s “Oresteia”
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
Read MorePosted by Jonathan Kalb | 13th Aug 2022 | Adaptation, Directing, New York, Review, United States of America
If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Bojana Jankovic - Exeunt Magazine | 17th Jun 2016 | Essay, Playwriting, Translation
Bojana Janković calls out British theatre’s extreme reluctance to stage plays that...
Read MorePosted by Julian Meyrick | 14th Apr 2015 | Dramaturgy, Essay, North America
This is a long-read essay, the second in a series on playwriting and drama by Julian Meyrick. Part...
Read MorePosted by Agata Diduszko-Zyglewska | 30th Aug 2010 | Interview, Poland, Theatre and Opera
I didn’t really know Xenakis before, but it turned out that he touches the precise parts of my...
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