Tag: multilingual theatre

Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)?

Posted by Kasia Lech | 8th Apr 2024 | Dramaturgy, Interview, Theatre and Politics

Europa jest wielojęzyczna. Europe – as a geopolitical concept, its residents, communities, and...

Read More

Oriza Hirata’s “In the Heart of a Forest”: Mastering Multilingual Performance

Posted by Nobuko Tanaka | 21st Jul 2019 | Japan, Playwriting, Review

Tokyo’s cozy 60-odd-seat Komaba Agora Theater isn’t perhaps where you would expect a cutting-edge...

Read More

Czech Puppetry Practitioners in Poland; or, a Parable on the Importance of Internationalisation in Theatre Training

Posted by Kasia Lech | 25th Feb 2018 | Czech Republic, Essay, Poland, Puppetry, Theatre for Young Audiences

‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...

Read More

A New Approach To Subtitling

Posted by European Theatre Lab | 10th Jan 2018 | Belgium, Dramaturgy, France, News, Romania, Transcultural Collaborations

Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025

Recent Posts

Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück 5th March 2026
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026
Picasso’s “Barber” At The Spanish National Theatre 24th February 2026
Olga Braga’s “Donbas” at Theatre 503: Complex Account Of The Start Of The Ukraine War Is Deeply Humanistic 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks 19th February 2026
Terence Rattigan’s “Man and Boy” at the National Theatre: Rare 1960s Rattigan Play Gets A Meta-Theatrical Revival 19th February 2026
“Hamlet²” (“Amleto²”) 17th February 2026
The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest