Samuel Beckett’s “Endgame” at the Old Vic: Starry Cast Tackle Modernist Classic
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Aleks Sierz | 17th Feb 2020 | London, Review, United Kingdom
No playwright has had greater influence on successive generations of theatre-makers than Samuel...
Read MorePosted by Rathsaran Sireekan | 6th May 2019 | Belgium, Essay, Festivals, Participatory Theatre, Theatre and Art, Transmedia
The politics of (dis)association The sixth edition of Performatik, the Brussels Biennale for “live...
Read MorePosted by Zolima Citymag | 18th Mar 2019 | China, Design, Hong Kong, Theatre and Dance
This article is brought to you by The Hong Kong Ballet Half-way through his second season as Hong...
Read MorePosted by Aleks Sierz | 31st Jan 2018 | London, Review, Theatre and Politics, United Kingdom
Is modernism dead and buried? Anyone considering the long haul of Harold Pinter’s The Birthday...
Read MorePosted by Emma Cole | 25th Jul 2017 | Adaptation, London, News, Translation, United Kingdom
In 2013-14, an innovative, cross-disciplinary research project explored the interactions of...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026 