Tag: Marat Guelman

The 10 Craziest Russian Art Performances

Posted by Alexandra Guzeva - Russia Beyond the Headlines | 14th Mar 2019 | Essay, Russia, Russian Theatre - Featured, Theatre and Politics

While acclaimed American performance artist Marina Abramovic was exploring her own body, Russian...

Read More

What is the Relationship Between the Spectator, Theatre, and the State?

Posted by Emiliia Dementsova | 28th Jul 2017 | Essay, Russia, Theatre and Politics

They say in Russia: “If he beats you, it means he loves you.” This attitude, which may strike a...

Read More

“Naked, Obscene Theater, That’s What Our People Fear” – On Russian Theatre and Politics

Posted by Kirill Serebrennikov | 3rd Sep 2014 | Essay, Russia, Theatre and Politics

Kirill Serebrennikov, the artistic director of Moscow’s innovative Gogol Center, and a...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
“Mothers: A Song for Wartime” by Marta Górnicka at… by Duška Radosavljević 13th May 2026
From A Basketball Athlete To A Political Dissident by Azadeh Kangarani 22nd May 2026
A Theatre Like Society In The Fundamentalist… by Ivanka Apostolova Baskar 23rd May 2026
Pinocchio. What Is a Person? at MITEM: Who Gets to… by Emiliia Dementsova 8th May 2026
Guilt And Resilience, And “The Fear Of 13” by Teodora Medeleanu 3rd May 2026

Recent Posts

“Chroniques” by Peeping Tom at Østre Gasværk Teater Copenhagen 28th May 2026
“Circle Mirror Transformation” 27th May 2026
A Theatre Like Society In The Fundamentalist Capitalism Could Not Survive Without Self-Curated Neomania 23rd May 2026
From A Basketball Athlete To A Political Dissident 22nd May 2026
Bremen’s Packhaustheater Turns To Artist Paula Modernsohn-Becker 21st May 2026
Chess The Musical: About Human Nature, Not Politics. An Exclusive Interview with Tim Rice 20th May 2026
Richard III at MITEM: When the Monster Is Not Alone 19th May 2026
Theatre – Creating Conditions For What Has Been Silenced To Emerge 16th May 2026
“The Copenhagen Trilogy” by Tove Ditlevsen, adapted by Tom Silkeberg, directed by Anja Suša at Malmö City Theatre 16th May 2026
“The Cherry Orchard”: The Comedy Of Ruins 15th May 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest