Tag: Lola Arias

Big Bang Professional Week, Temporada Alta Fights Against ‘Mierda Bonita’

Posted by Antonio Hernández Nieto | 9th Dec 2024 | Festivals, News, Spain

Mierda bonita, or beautiful shit in English, is the term used in La luz de un lago/The light of a...

Read More

Lola Arias: “Minefield”

Posted by Jan Michael Hanvik | 5th May 2019 | New York, Review, United States of America

Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...

Read More

“Minefield” Review: Stories From The Soldiers

Posted by Duška Radosavljević | 11th Nov 2017 | London, Review, Theatre and Politics, United Kingdom

Every soldier has a story to tell–sometimes a joke, sometimes a parable, often a tragedy. The...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026

Recent Posts

NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Bad Data 4th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest