A Faustian Bargain Itself: Emursive’s “Life and Trust”
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
Read MorePosted by Andrew Agress | 7th Aug 2024 | Immersive Theatre, New York, Review, United States of America
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
Read MorePosted by Fan Yiying | 27th May 2024 | China, Interview, Israel
In the new stage adaptation of the iconic 1934 novel The Border Town, Israeli director Ruth Kanner...
Read MorePosted by Girish Shrivastava | 8th Dec 2023 | India, Review
Metamorphosis, staged at the Studio Theatre of the Department of Performing Arts, Pondicherry...
Read MorePosted by Sarah Austin | 27th Oct 2022 | Australia, Review, Theatre and Disability, Theatre for Young Audiences
Review: When the World Turns, by Polyglot Theatre and Oily Cart When the World Turns is a...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Ian Stewart Riley | 30th Apr 2019 | Interview, Philadelphia, United States of America
Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...
Read MorePosted by Hannah Lund | 19th Jan 2019 | Adaptation, China, Immersive Theatre, Review
As we neared the elevator doors, a woman dressed in a beautiful 1930s-era gown directed us to keep...
Read More


Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026 
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025