“Border” And “Sheol/שאול” – Wachowicz/Fret Studio At Edinburgh Festival Fringe 2024
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Duška Radosavljević | 29th Aug 2024 | Edinburgh 2024, Review, United Kingdom
With nearly 4000 shows at hundreds of venues in the city, the Edinburgh Festival Fringe is a kind...
Read MorePosted by Rossella Ferrari | 1st Oct 2022 | Adaptation, China, Directing, Festivals, Hong Kong, Poland, Review
Tang Xianzu’s sixteenth-century classic, Peony Pavilion (1598), is a play about boundaries and...
Read MorePosted by Lauren Dubowski | 27th Nov 2016 | Adaptation, Essay, Festivals, Immersive Theatre, Poland, Review
It is noteworthy that the custom of banqueting the dead seems to be common to all pagan peoples,...
Read More
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 



