Tag: folk opera

“Looking for Violeta” at Quantum Theatre, Pittsburgh, PA, USA

Posted by Wendy Arons | 13th Aug 2019 | The Pittsburgh Tatler

Does the name Violeta Parra ring a bell? If it does, it’s likely because of Joan Baez’s cover of...

Read More

“Hadestown,” National Theatre, Review: Folk Opera That Dazzles Despite Its Imperfections

Posted by Rob Hastings | 28th Nov 2018 | London, Review, United Kingdom

When the lights go out for the interval midway through Hadestown, I’m already making a mental list...

Read More

“Hadestown,” The Cult Album That Went To Broadway: “Hades Isn’t Based On Trump–But Trump Might Be Based On Hades”

Posted by Holly Williams | 27th Nov 2018 | London, News, Theatre and Opera, United Kingdom

Hadestown, a reworking of the Orpheus and Eurydice myth by American singer-songwriter Anais...

Read More

“Calderland–A People’s Opera” Celebrating Yorkshire Community’s Response To Floods Wins Top Award

Posted by Adam Sherwin | 23rd May 2018 | News, United Kingdom

A “folk opera” which celebrates the response of the local community in Calder Valley to the...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
Echoes of a Crumbling Republic: Review of… by Susanna Sun 4th January 2026
What Happens In Mecca, Stays In Mecca:… by Marina Johnson 31st December 2025
Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
“El entusiasmo” (The Enthusiasm) at… by Maria Delgado 26th December 2025
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026

Recent Posts

The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest