Decolonising Shakespeare: Setting Othello in Ghana and Pericles in Glasgow
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Henry Bell | 30th Jan 2022 | Adaptation, Essay, Ghana, India, Theatre and Decolonization, Transcultural Collaborations, United Kingdom
Over the last few years, the issue of decolonising the curriculum has become a growing concern for...
Read MorePosted by Ronei Vieira Nogueira and Robson Corrêa de Camargo | 18th Jul 2021 | Adaptation, Between.Pomiędzy 2021, Brazil, Essay, Festivals, Poland
Máskara – the Transdisciplinary Research Center in Theatre, Dance, and Performance – is an...
Read MorePosted by Etcetera | 2nd Jun 2021 | Brazil, Interview, Theatre and Dance, Theatre and Politics
Every month, Etcetera gazes into the soul of a performer. Artistic interest instead of human...
Read MorePosted by Augusta Motta | 13th Aug 2019 | Acting, Brazil, News, Theatre and Politics, United States of America
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
Read MorePosted by Patrick Wildermann | 9th Nov 2018 | Essay, Festivals, Germany, Transcultural Collaborations
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 

“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026