“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Emilija Kvočka | 16th Dec 2024 | Directing, Macedonia, Review
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
Read MorePosted by Deniz Başar and Handan Salta | 28th Jan 2022 | Interview, Kosovo, Theatre and Politics
Deniz Başar and Handan Salta attended Kosovo Theatre Showcase and apart from seeing the plays and...
Read MorePosted by Borisav Matić | 21st Nov 2021 | Adaptation, Kosovo, Review, Serbia, Transcultural Collaborations
Balkan Bordello: An Orgiastic Musical in the Aftermath of War Imagine yourself at a hedonistic...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 

Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 

