Like Mother, Like Son: “Redemption Story” at A.R.T./NY
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read MorePosted by Rhiannon Ling | 22nd May 2024 | New York, Review, Theatre and Film, United States of America
My first thought upon entering Redemption Story at A.R.T./NY was that of boldness: I can’t recall...
Read MorePosted by Christina Stanton | 19th May 2024 | Musical Theatre, Review, United States of America
Most historic dates and events fade from view after a few years, especially as witnesses age and...
Read MorePosted by Azadeh Kangarani | 15th May 2024 | Review, Theatre and Politics, United States of America
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
Read MorePosted by Marcina Zaccaria | 12th May 2024 | Review, Theatre and Politics, United States of America
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
Read MorePosted by Jonathan Kalb | 29th Apr 2024 | Review, Theatre and Politics, United States of America
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
Read MorePosted by Rhiannon Ling | 28th Apr 2024 | Festivals, Review, United States of America
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
Read MorePosted by Jonathan Kalb | 10th Apr 2024 | Immersive Theatre, New York, Review, United States of America
The last time Ibsen’s An Enemy of the People (1882) made a big splash in New York was in 2013,...
Read MorePosted by Rhiannon Ling | 2nd Apr 2024 | New York, Review, Theatre and Gender, United States of America
“What kind of service do submarines provide?” asks the machine’s captain, Ricky Martin. “Silent...
Read MorePosted by Morgan Skolnik | 31st Mar 2024 | New York, Review, Theatre and Gender, United States of America
Last year I went to the dentist for a toothache and was told that somehow, to my extreme...
Read MorePosted by Cristina Modreanu | 27th Mar 2024 | New York, Review, Theatre and Politics, United States of America
Can one truly be sympathetic until the ultimate consequences to the problems of someone who is not...
Read MorePosted by Jonathan Kalb | 25th Mar 2024 | New York, Review, Theatre and Religion, United States of America
Whatever your opinion of the profundity of John Patrick Shanley’s Pulitzer- and Tony-winning 2005...
Read MorePosted by Alexander Fatouros | 21st Mar 2024 | Acting, Interview, New York, Theatre and Film, United States of America
American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the...
Read MorePosted by Jonathan Kalb | 3rd Mar 2024 | Review, Transmedia, United States of America
Call me clueless, but I wasn’t aware, before seeing Mona Pirnot’s new play I Love You So Much I...
Read MorePosted by Jonathan Kalb | 1st Mar 2024 | Musical Theatre, Review, United States of America
I almost didn’t go see Days of Wine and Roses: The Musical because my memories of the highly...
Read MorePosted by Liv Lanteri | 24th Feb 2024 | Dramaturgy, Education, News, United States of America
What is a citizen-dramaturg? Could I study it at a university? Is it merely a state of mind? Would...
Read MorePosted by Lisa Monde | 22nd Feb 2024 | Interview, Musical Theatre, New York, United States of America
Tim Rice became interested in the biography of Eva Perón – the wife of the famous dictator Juan...
Read MorePosted by Jenna Lourenco | 18th Feb 2024 | Essay, New York, Theatre and Disability, United States of America
The Neurodivergent New Play Series, produced by Piccione Arts, is set to resume its regular third...
Read MorePosted by Jonathan Kalb | 12th Feb 2024 | Review, Theatre and Gender, United States of America
Rachel Bonds’s Jonah—directed by Danya Taymor at the Roundabout’s Laura Pels Theatre— is one of...
Read MorePosted by Trevor Boffone | 10th Feb 2024 | Theatre and Gender, Theatre and Politics, United States of America
Every day is a cunty day for Bekah Walsh. The Baltimore-based theatre nerd turned prolific...
Read MorePosted by Rhiannon Ling | 5th Feb 2024 | Immersive Theatre, New York, Review, United States of America, Worldwide
For lovers of the fantastical and the geeky, the scene at Under St. Mark’s is one of nostalgia and...
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The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025 

Writing Across Taiwan and Macau: An Interview with… by Kuan-Ting Lin 6th January 2026