A Feline Farewell: “MEOW!” Excavates Americana at Exponential Fest
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Andrew Agress | 15th Jan 2025 | Festivals, Interview, New York, United States of America
What started as a farewell to a beloved cat has become a farewell to a fading starlet, New York in...
Read MorePosted by Marcina Zaccaria | 7th Jan 2025 | Interview, New York, Playwriting
Finding artists, nurturing them, supporting them. Seeing their work to fruition, and creating a community of support. We really try to do this at the Apollo New Works, too. It’s really how we continue to keep people and community.
Read MorePosted by Heather Waters | 10th Dec 2024 | Musical Theatre, New York, Review, Theatre and Politics
We Live in Cairo, written by The Lazours, is a historical musical set in Egypt during the Arab...
Read MorePosted by Lisa Monde | 9th Dec 2024 | Interview, LGBTQ+ Theatre, Musical Theatre, New York, United States of America
One of the main achievements of DRAG: The Musical, which premiered at the New World Stages in New...
Read MorePosted by Morgan Skolnik | 27th Nov 2024 | Musical Theatre, New York, Review, United States of America
Though many people rushed to them post election, the musical of our political moment is not...
Read MorePosted by Morgan Skolnik | 7th Nov 2024 | New York, Puppetry, Review, United States of America
Created by On the Rocks Theatre Co. (the two person co-writer and designer team Christopher Ford...
Read MorePosted by Morgan Skolnik | 5th Nov 2024 | Musical Theatre, New York, Review, United States of America
Emily Bronte doesn’t have an acronym but Franz Kafka does and Kafkaesque! Directed by Ashley...
Read MorePosted by Morgan Skolnik | 25th Oct 2024 | LGBTQ+ Theatre, New York, Review, United States of America
The Christine Jorgensen Show isn’t perfect, but it’s just so delightfully charming it’s hard...
Read MorePosted by Morgan Skolnik | 22nd Oct 2024 | New York, Review, Theatre and Science, United States of America
Inside the Public Theater it’s 2019 and Australia is on fire. Outside the theater it’s 2024 and...
Read MorePosted by Morgan Skolnik | 2nd Oct 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePosted by Marcina Zaccaria | 11th Aug 2024 | Interview, New York, United States of America
Especially at this age, if you’re going in to try to be looking for fame, you know, it is a myth. I mean then you really are misdirected, and you’re gonna be very, very frustrated. I’m not thinking along those lines, at all, but I do believe in your theory that fame is a myth. I just want to pursue good work. I just want to become better at whatever I pursue, whatever project I take on.
Read MorePosted by Andrew Agress | 7th Aug 2024 | Immersive Theatre, New York, Review, United States of America
At long last, the immersive titan Sleep No More, will—well—sleep no more. The long-running New...
Read MorePosted by Morgan Skolnik | 13th Jul 2024 | LGBTQ+ Theatre, New York, Review, United States of America
Alright, I’ll level with you. Maligned as it is (and oh is it ever) Andrew Lloyd Webber’s 1982...
Read MorePosted by Andrew Agress | 8th Jul 2024 | Interview, New York, United States of America
Do you ever wish you could have a say in how your city developed its land? Well, this month, New...
Read MorePosted by Lisa Monde | 4th Jul 2024 | Musical Theatre, New York, Review, United States of America
Everyone knows that musical is a synthetic genre in which a story is being told by means of...
Read MorePosted by Andrew Agress | 23rd Jun 2024 | Interview, New York, United States of America
Hillary Gao and Matthew Antoci adapt an internet tirade and examine perception and forgiveness with Babies on the Street, playing at The Brick in July.
Read MorePosted by Marcina Zaccaria | 17th Jun 2024 | Directing, New York, Review, United States of America
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read MorePosted by Rhiannon Ling | 1st Jun 2024 | Immersive Theatre, New York, Review, United States of America
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read MorePosted by Jonathan Kalb | 30th May 2024 | New York, Review, Theatre and Politics, United States of America
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read MorePosted by The Theatre Times | 28th May 2024 | Dramaturgy, New York, News, United States of America
Elinor Fuchs, a trailblazing theater scholar, critic, and playwright, passed away on May 28, 2024,...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025 

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Picasso’s “Barber” At The Spanish… by Duncan Wheeler 24th February 2026
“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
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