“Gulliver’s Travels”: a Lesson in Satire for Children.
“The life of man to represent, And turn it all to ridicule, Wit did a puppet-show...
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Polish Theatre Puppetry
Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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A Big Small Story
Subdued browns, grays and black dominate the stage. The impression of a vast empty space is...
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Dzigan and Shumacher: Before “Cabaret” and “Schindler’s List.” An Interview with Diego Rotman
My family is not Jewish and therefore I never celebrated Jewish holidays at home. However, I have...
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The Puppets Are Changing: “The Weak Year” at The Academy of Theatre Arts in Wrocław
The play begins with an entrance exam. Clad in suit jackets, a group of women and men sit onstage...
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Jacek Sieradzki Announces The End Of The Contemporary Polish Plays Problem: The 2018 Awards For Staging Contemporary Polish Plays
Last week, the Zbigniew Raszewski Theatre Institute announced the winners of the 24th National...
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“Yemaya–The Queen Of Seas” At The Wrocław Puppet Theatre
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
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Changing The Landscape Of Puppetry Theatre In Poland: Jakub Krofta And The Wrocław Puppet Theatre
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
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Czech Puppetry Practitioners in Poland; or, a Parable on the Importance of Internationalisation in Theatre Training
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
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The Year of Remembrance and Resistance: A Look at Polish Theatre in 2016. Part I
The final Polish premiere of 2016 was Triumf Woli [The Triumph of the Will] prepared by the...
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