“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin
An Enemy of the People was first introduced to Greek audiences in 1902 by the pioneering “New...
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Transcultural Collaborations
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland
Somewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.Pomiędzy Festival...
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Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker
In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili‘ōpua...
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Sharing Crafts, Or Laboratory Space
The “Sharing Crafts” Performative Laboratory took place on 19–22 May 2025 as part of...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025
Something flitters among the green leaves of bramble and the brown leaves of a previous autumn....
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International Project – Dramaturgy Lab: Exploring West Balkan Plays – “Big Deal” By Mia Efremova
Collective interview with Amy Sze (Theatre maker and arts producer, London, UK-Hong Kong), Mia...
Read More![Between Life And Death: A Festival’s Journey Through Tragedy [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture7-e1752848456230-627x376.jpg)
Between Life And Death: A Festival’s Journey Through Tragedy [Part II]
To read PART I of this report, go to this link. Two “in yr face” Tragedies: Double...
Read More![Between Life And Death: A Festival’s Journey Through Tragedy [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/07/Picture4-1-627x376.jpg)
Between Life And Death: A Festival’s Journey Through Tragedy [Part I]
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
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Rock Opera and Musical Theatre. An exclusive interview with Lenny Kaye
Dedicated to the 40th Anniversary of World Rock Day and the 71st Anniversary of World Rock and...
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On Lone Borders: Juan Mayorga’s “Los Yugoslavos”
Juan Mayorga’s Los yugoslavos [The Yugoslavs] is, to-date, the only one of the acclaimed Spanish...
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Five Young Performance Artists Unravel the Meaning of Tradition: A Review of “Practicing Freedom”
In the intimate setting of a small black box theatre, audience members find themselves not in the...
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I Am Not Afraid For The Future Of The Theatre
An Interview with Ms. Zeljka Turcinovic – dramaturg, editor of magazines: Croatian Theatre and...
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Polish-American Migrant Theatre: Teatr NASZ From Chicago On Tour In Florida
As of 2023, Polish Americans amounted to over eight million people, i.e., 2.46% of the US...
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A Canadian Epic: “Come From Away”
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/5-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/1-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
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Peter J. Chelkowski: A Life of Scholarship And Cultural Exchange
Milad Azarm in conversation with Mohammadreza Khaki Peter J. Chelkowski, an esteemed scholar and...
Read More![“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]](https://thetheatretimes.com/wp-content/uploads/2024/09/FIGURE4-627x376.jpg.webp)
“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part II]
To read PART I of this interview, go to this link. Hayel Ali Al-Mathabi: In light of this...
Read More“The Most Daring Adventure Is Practicing Theater Remotely.” An Interview With Telematic Theater Pioneer Marina Hanganu [Part I]
Marina Hanganu is a theatre director, cultural manager and researcher exploring the intersection...
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