For Emancipated Dramaturgy
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
Read MorePosted by Tomaž Toporišič | 26th Oct 2016 | Dramaturgy, Essay
I. The dramaturg as emancipated spectator I will begin with this assumption: Today the...
Read MorePosted by Susan Berardini | 25th Oct 2016 | Argentina, Dramaturgy, News
Independent theater in Buenos Aires is currently thriving, despite a number of severe economic...
Read MorePosted by Margaret Rose | 15th Oct 2016 | Dramaturgy, Essay, Italy, Playwriting
“While Italy this year is celebrating 150 years as a single nation state, in many fields any sense of unity is still tenuous. Theatre and contemporary playwriting are no exceptions to this rule.” – Margaret Rose
Read MorePosted by Martha Steketee | 12th Oct 2016 | Dramaturgy, News
Dramaturgs have always been part of each team working at PlayPenn. But since 2012, its...
Read MorePosted by Konstantina Georgelou, Efrosini Protopapa, and Danae Theodoridou | 9th Oct 2016 | Dramaturgy, Essay
For three years, between 2013-2016, we regularly invited theatre-makers, choreographers,...
Read MorePosted by Julien Bruneau | 3rd Oct 2016 | Dramaturgy, Essay
The labor of sense-making On spectatorship and the oracular potential of art To make sense We are...
Read MorePosted by Ian Rowlands | 30th Sep 2016 | Dramaturgy, Essay, United Kingdom
“Though we have a nascent theatre tradition, we do have a long tradition of performance…Our writers are indicative of a nation that is still wrestling…with positive identifications of self.” – Ian Rowlands
Read MorePosted by Jonah Salz | 15th Sep 2016 | Dramaturgy, Essay, Japan
Kyôgen (狂言) are short, stylized comedies performed between somber masked-dance noh (能) for over...
Read MorePosted by Judith Engel | 7th Sep 2016 | Dramaturgy, Essay
What can good dramaturgy achieve? For the presentation of the Marie Zimmermann Fellowship for...
Read MorePosted by Andrew Edwards | 6th Sep 2016 | Dramaturgy, Interview
Interview with Gareth Vile, Theatre Editor for the List, former Theatre Editor for the Skinny and...
Read MorePosted by Katalin Trencsényi | 5th Sep 2016 | Dramaturgy, Interview
Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the Playwriting...
Read MorePosted by Anny Mokotow | 1st Sep 2016 | Dramaturgy, Essay, Theatre and Dance
Multiple approaches in contemporary performance and in dance performance, in particular, are part...
Read MorePosted by Rok Vevar | 17th Aug 2016 | Dramaturgy, Essay, Europe
“The past is a horrible, fuzzy abyss; what steers into that twilight, ceases to exist–like it has...
Read MorePosted by Adrian Heathfield | 15th Aug 2016 | Dramaturgy, Essay, Participatory Theatre
Wherever dramaturgy is conceived as a practice of thought in advance of the event, it will be...
Read MorePosted by Lucy Rose Coren | 2nd Aug 2016 | Dramaturgy, Essay
The role of the dramaturg within text-based theatre is currently prescriptive and limiting. There...
Read MorePosted by Elisabeth Schweeger | 18th Jul 2016 | Dramaturgy, Essay
Knowing literature inside out, developing the repertoire, making translations…the list of skills...
Read MorePosted by The Theatre Times | 16th Jul 2016 | Dramaturgy, News
TACOMA – Geoff Proehl, professor of theatre arts at University of Puget Sound, has been selected...
Read MorePosted by Duška Radosavljević | 11th May 2016 | Dramaturgy, Essay
As part of a series of essays on Ivo van Hove’s dramaturgy, Duska Radosavljevic unpicks the...
Read MorePosted by Persis Jade Maravala and Jorge Lopes Ramos - Exeunt Magazine | 2nd May 2016 | Dramaturgy, Essay, Immersive Theatre, Participatory Theatre
As participatory theatre saturates the mainstream, here’s Persis Jade Maravala and Jorge...
Read MorePosted by Julian Meyrick | 30th Apr 2015 | Australia, Dramaturgy, Essay, Playwriting
This is a long-read essay, the third in a series on playwriting and drama by Julian Meyrick. Read...
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