For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
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Directing
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
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Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
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Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer”
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
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Gender Allows A Different Perspective On Ibsen’s “Der Volksfeind” (“An Enemy Of The People”) In Bremerhaven
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
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Witty Revival Of 2022 Pollesch “Liebe, Einfach Außerirdisch” In Berlin
When the production first opened in 2022, critics commented on the fact that the play was being...
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A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
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Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
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Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
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“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
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Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
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Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
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“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
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Bloody Ignorant Apes
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
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“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
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Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
At German theatres, some assistant directors are employed for the duration of a production, from...
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I Hold On To The Beautiful Side Of Theatre
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
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“The Gilded Age” Season 3 Casting Secrets
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
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Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution
An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...
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Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
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