A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett)
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
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Directing
Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
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Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
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“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
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Adaptations On The German Stage (1): “Sein Oder Nicht Sein” In Bremerhaven
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
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Six-Hour Tour De Force “Hamlet” In Hamburg, Directed, With Many Ironic Self-References, By Veteran Legendary Frank Castorf
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
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“All Right. Good Night.:” A Poetic Meditation on the Art of Letting Go
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
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Bloody Ignorant Apes
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
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“Lale Lili Marleen:” The Promising Relaunch Of A Quaint Chamber Theatre In The Oldest District Of Bremen
The small district of Schnoor in the northern German city of Bremen, consisting of some 100...
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Lessing’s “Emilia Galotti” As Directorial Debut In Bremen
At German theatres, some assistant directors are employed for the duration of a production, from...
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I Hold On To The Beautiful Side Of Theatre
Interview with theatre director Tamara Stojanoska, Skopje/Prilep, R.N. Macedonia. Interviewer...
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“The Gilded Age” Season 3 Casting Secrets
Step into the opulent 1880s New York evoked by The Gilded Age, Julian Fellowes’ Emmy-winning HBO...
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Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution
An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...
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Brave New Theatrical World or One Flew Over the 21st Century’s Cuckoo’s Nest?: “Nexxt”
The theatrical kamikaze that destroys all the mechanisms of the world and itself—that is, theatre...
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An Innovative “Romeo E Giulietta” In Milan
In February I caught Antonio Syxty’s staging of Romeo e Giulietta (Romeo and Juliet) at Milan’s...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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From Lawyer to Lyricist/Librettist: An Artist Profile of Jill Ohayon
Jill Ohayon grew up believing there were only two respectable career paths: doctor or lawyer. And...
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“No Power for the Electric Chair ” – Crime of Theatrical Absurd
“Have the gates of death been shown to you? Have you seen the gates of the deepest...
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“1981” directed by Tomi Janežič at Novi Sad Theatre
When the premiere performance of the play 1981, directed by Tomi Janežič, began at the Novi Sad...
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Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
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