Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 5th Mar 2026 | Directing, Germany, Review
Dea Loher (b. 1964), has been a prominent German dramatist since the world premiere of her first...
Read MorePosted by Duncan Wheeler | 24th Feb 2026 | Directing, Management, Review, Spain
Balding men are often precious about their hair. Pablo Picasso (1881-1973) was no exception. First...
Read MorePosted by Aleks Sierz | 19th Feb 2026 | Acting, Directing, Review, United Kingdom
Terence Rattigan is a posh playwright whose work encapsulates the emotional restraint of the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 6th Feb 2026 | Directing, Germany, Review
For this production of Shakespeare’s play, Oldenburgisches Staatstheateer used the 2007...
Read MorePosted by Margaret Rose | 6th Feb 2026 | Directing, Italy, Review
Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with...
Read MorePosted by Daniel Meyer-Dinkgräfe | 26th Jan 2026 | Directing, Germany, Review
Many, especially prestigious, new productions of Chekhov’s The Seagull in the UK and USA...
Read MorePosted by Daniel Meyer-Dinkgräfe | 8th Jan 2026 | Directing, Germany, Review
Bremen’s Packhaustheater set its agenda with a focus on the local, so as not to compete with the...
Read MorePosted by Susanna Sun | 7th Jan 2026 | Chicago, Directing, Interview, United States of America
A towering figure in Chicago theatre, Charles Newell—former Marilyn F. Vitale Artistic Director of...
Read MorePosted by Daniel Meyer-Dinkgräfe | 2nd Jan 2026 | Directing, Germany, Review
The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title...
Read MorePosted by Savas Patsalidis | 2nd Jan 2026 | Directing, Greece, Review, Transcultural Collaborations, United Kingdom
There are directors who have gotten us accustomed to treading on unconventional paths. They have...
Read MorePosted by Daniel Meyer-Dinkgräfe | 1st Jan 2026 | Directing, Germany, Review
In 2019, Landestheater Salzburg used a new translation of Ibsen’s An Enemy of the People as the...
Read MorePosted by Daniel Meyer-Dinkgräfe | 12th Dec 2025 | Directing, Germany, Review
When the production first opened in 2022, critics commented on the fact that the play was being...
Read MorePosted by S.E. Gontarski | 4th Dec 2025 | Directing, Essay, Transmedia
Wherever it comes from, morality or the aesthetic, the anti-theatrical prejudice is a conceptual...
Read MorePosted by Daniel Meyer-Dinkgräfe | 4th Dec 2025 | Directing, Germany, Review, Theatre and Politics
Theater Bremen is currently showing the world premiere production of Der Zauberer von Öz – Eine...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Nov 2025 | Adaptation, Directing, Germany, Review
Der Schimmelreiter (The Rider on the White Horse) is a novella by German writer Theodor Storm...
Read MorePosted by Daniel Meyer-Dinkgräfe | 20th Nov 2025 | Directing, Essay, Germany
Since August 2019, I have owned and run the chamber theatre, piccolo teatro Haventheater, in...
Read MorePosted by Daniel Meyer-Dinkgräfe | 29th Oct 2025 | Directing, Germany, Review
Sein oder nicht sein is a play by Nick Whitby (b.1963), premiered on Broadway in 2008, and first...
Read MorePosted by Daniel Meyer-Dinkgräfe | 27th Oct 2025 | Directing, Germany, Review
This six-hour production of Hamlet took Shakespeare’s play as the starting and end point, in...
Read MorePosted by Victoria Zavyalova | 20th Oct 2025 | Directing, Germany, Review, United States of America
In All Right. Good Night., German docu-theater artist Helgard Haug turns loss into a language. The...
Read MorePosted by Jonathan Kalb | 15th Oct 2025 | Directing, Review, United States of America
Absurd as it may seem, Samuel Beckett’s Waiting for Godot, a demanding play about existential...
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