Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
Read MorePosted by Ivanka Apostolova Baskar | 23rd May 2025 | France, Interview, Theatre and Politics
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
Read MorePosted by Duška Radosavljević | 18th May 2025 | Denmark, Review, Theatre and Politics
There is a big screen hanging above the stage on which four faces in four individual frames are...
Read MorePosted by Lisa Monde | 16th May 2025 | Interview, Musical Theatre, Spain, United Kingdom
For the first part of the interview go here. From the earliest musicals, one can trace the...
Read MorePosted by Duška Radosavljević | 15th May 2025 | Review, Theatre and Politics, United Kingdom
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
Read MorePosted by Emilija Kvočka | 14th May 2025 | Essay, Festivals, Serbia
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Hayel Ali Al-Mathabi | 10th May 2025 | Essay, Festivals, Theatre and AI, Theatre and Science
Introduction It seems that the mission of the father of arts, “theatre”, as well as...
Read MorePosted by Ivanka Apostolova Baskar | 9th May 2025 | Acting, Interview, Macedonia
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
Read MorePosted by Margaret Rose | 8th May 2025 | Italy, Review, Theatre and Politics
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
Read MorePosted by Victoria Zavyalova | 7th May 2025 | Review, Theatre and Politics, United States of America
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
Read MorePosted by Vassili Schedrin | 2nd May 2025 | Dramaturgy, Review, Russia, United States of America
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Berna Ataoğlu | 25th Apr 2025 | Canada, Review, Theatre and Gender
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
Read MorePosted by Kyungjin Jo | 24th Apr 2025 | Review, South Korea, Transcultural Collaborations
In the intimate setting of a small black box theatre, audience members find themselves not in the...
Read MorePosted by Walter Byongsok Chon | 22nd Apr 2025 | Interview, Musical Theatre, Theatre for Young Audiences, United States of America
This is a video interview with Michael Salvatore Commendatore, projection designer for Disney’s...
Read MorePosted by Morgan Skolnik | 20th Apr 2025 | LGBTQ+ Theatre, New York, Review
Space Lesbians! Portals! Psychic Sisters! Oh my! These are just some of the elements introduced in...
Read MorePosted by Margaret Rose | 16th Apr 2025 | Italy, Review, Theatre and Disability
At Milan’s Franco Parenti theatre, Shards of Chaotic Memory in Multicoloured Ink (Schegge di...
Read MorePosted by Aleks Sierz | 15th Apr 2025 | LGBTQ+ Theatre, Review, United Kingdom
Coming of age stories are more or less all the same. But what distinguishes Julia Grogan’s...
Read MorePosted by Jonathan Kalb | 12th Apr 2025 | Adaptation, New York, Review
Andrew Scott’s Vanya—a solo show in which he plays all the roles in Anton Chekhov’s classic...
Read MorePosted by Aleks Sierz | 11th Apr 2025 | Documentary Theatre, Dramaturgy, Review, United Kingdom
Are we really in “a new era of male anger, societal discontent and rage”? This is what Royal Court...
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“Is Love Energy Or Matter?” An Interview With Rok… by Ivanka Apostolova Baskar 11th March 2026
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“Digital Access To The Performing Arts”… by The Theatre Times 7th March 2026
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