Flightless, Caged “Angels In America”
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MorePosted by Teodora Medeleanu | 10th Aug 2025 | Poland, Review, Theatre and Science
Sitting through 5 and a half hours of performance might seem like an exercise of will and...
Read MorePosted by Maria Delgado | 6th Aug 2025 | Festivals, Review, Spain
The 2025 Grec festival, the first under the new directorship of Leticia Martín Ruiz, opened on 26...
Read MorePosted by Teodora Medeleanu | 6th Aug 2025 | Poland, Review, Theatre and Religion
Jumping from one story to another or from a specific timeline to an entirely different one seems,...
Read MorePosted by Jenny Strataki | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
My colleague Jonathan and I were walking towards Leidseplein and the Internationaal Theater...
Read MorePosted by Róisín Daly | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Stepping into From Dust feels less like attending a performance and more like consciously entering...
Read MorePosted by Javad Mohajeri | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review, Theatre and AI
Arrival and Anticipation On Thursday, June 19, I participated in Michel van der Aa’s From Dust....
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
For Part I of this review, go here. Yet again, I find myself at the edge of Amsterdam, at the...
Read MorePosted by Unnur Hlíf Rúnarsdóttir | 6th Aug 2025 | Holland Festival 2025, Netherlands, Review
It is the third day of the Holland Festival, and I make my way to what feels like the edge of...
Read MorePosted by Emiliia Dementsova | 5th Aug 2025 | Adaptation, Azerbaijan, Review, Theatre and Politics
A provincial theatre celebrates an anniversary. In the dressing room — two men: a comic and a...
Read MorePosted by Maria Delgado | 5th Aug 2025 | Festivals, Review, Spain
The first new production of Mark Rosenblatt’s Olivier-award-winning Giant since its London...
Read MorePosted by Aleks Sierz | 2nd Aug 2025 | London, Review, United Kingdom
Is there such a thing as the seven-year itch? Named after Billy Wilder’s 1955 comedy, which...
Read MorePosted by Mona Mirzaei | 30th Jul 2025 | Review, Theatre and Politics, United States of America, Worldwide
Blind Runner, the latest play by Amir Reza Koohestani, was performed from January 4 to 24, 2025,...
Read MorePosted by Daniel Meyer-Dinkgräfe | 28th Jul 2025 | Germany, Management, Review
Germany’s theatre landscape is very rich indeed. Many cities have publicly owned and funded...
Read MorePosted by Xunnan Li | 26th Jul 2025 | Avignon 2025, China, Chinese Theatre Abroad, Design, Review
Feng Lu’s “L’histoire d’un Accident”, presented in Avignon 2025, offers a layered exploration of theatrical space inspired by Henri Lefebvre’s theory of spatial production. The play unfolds through a play-within-a-play structure, blending backstage conflict, parody, and audience disruption to challenge the boundary between fiction and reality. A planted “spectator” blurs the line between performance and life, turning spatial ambiguity into a central aesthetic strategy. Rather than seeking clarity, the production invites audiences to dwell in uncertainty, where ambiguity becomes an essential part of how space is experienced, performed, and emotionally understood.
Read MorePosted by Margaret Rose | 20th Jul 2025 | Festivals, Immersive Theatre, Italy, Review
Director and writer Romeo Castellucci decided not to use one of the usual venues of the Theatre...
Read MorePosted by Jonathan Kalb | 19th Jul 2025 | Review, Theatre and Gender, United States of America
Emmanuelle Mattana’s Trophy Boys is a cheeky debut play that’s a lot of fun to watch, even if it...
Read MorePosted by Margaret Rose | 16th Jul 2025 | Festivals, Italy, Review, Transmedia, United States of America
Celebrated American actor Willem Dafoe, the new artistic director of the Venice Theatre Biennale,...
Read MorePosted by Aleks Sierz | 6th Jul 2025 | Playwriting, Review, Theatre and Gender, United Kingdom
George Bernard Shaw is the supreme example of old writing. Maddeningly verbose, eye-poppingly...
Read MorePosted by Jonathan Kalb | 4th Jul 2025 | Review, Theatre and Politics, United States of America
Abby Rosebrock’s Lowcountry, a new play directed by Jo Bonney at the Atlantic Theater, begins with...
Read MorePosted by Duška Radosavljević | 2nd Jul 2025 | Adaptation, Denmark, Review
Imagine Ibsen’s A Doll’s House, staged as a sort of salon game, in a real couple’s home serving as...
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