Trauma In Translation: Stratford’s Milestone Salesman In China
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read MorePosted by Barbara Gabriel | 19th Oct 2024 | Canada, China, Review, Theatre and Politics
“My head feels like a bridge that all of Beijing has been walking over.” The stage is...
Read MorePosted by David O'Donnell | 15th Oct 2024 | Education, New Zealand, Review, Theatre and Decolonization
The stage explodes with ihi (essential force) and aroha (love, empathy) in Unreel, the new work by...
Read MorePosted by Antonio Hernández Nieto | 15th Oct 2024 | Festivals, Review, Spain
The meeting point is in l’Animal a l’esquena, Malpelo dance company rehearsals site....
Read MorePosted by Ilinca Todoruţ | 13th Oct 2024 | Review, Romania, Theatre and Politics
The entire stage is the same shade of pale, dusty pink: the extra-long couch and side tables, the...
Read MorePosted by Ilinca Todoruţ | 12th Oct 2024 | Review, Romania
Yuri Kordonsky’s Eréndira at the German State Theatre in Timișoara is a visually gorgeous,...
Read MorePosted by Ilinca Todoruţ | 11th Oct 2024 | Review, Romania
A couple of hours before watching José Rivera’s play Cloud Tectonics staged at the German...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 10th Oct 2024 | Edinburgh 2024, Poland, Review, United Kingdom
At this year’s Edinburgh Festival in the Grotowski Institute Residence Cube at Fringe 2024...
Read MorePosted by Aleks Sierz | 7th Oct 2024 | Books, Review, Theatre and Politics, United Kingdom
Roald Dahl evokes mixed feelings. He’s one of the greatest children’s storytellers, whose macabre...
Read MorePosted by Morgan Skolnik | 2nd Oct 2024 | Musical Theatre, New York, Review, United States of America
All around me people are laughing uproariously, slapping their knees, bursting into applause mid...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part II, click here. All the bad ones are...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
To read PART I of this interview, go to this link. For Part III, click here. Men –...
Read MorePosted by Wojciech Baluch | 23rd Sep 2024 | Poland, Review, Theatre and Decolonization
It might seem that the indefinitely prolonged Covid epidemic, which contributed to the...
Read MorePosted by Aleks Sierz | 12th Sep 2024 | Review, Theatre and Politics, United Kingdom
Although the idea of deporting people to Rwanda as a punishment is now, following the defeat of...
Read MorePosted by Zuzanna Madurska and Jacky Lie-A-Njoek | 7th Sep 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences, Ukraine
In Poland, the war is no longer just the national memory and has been present in our everyday life...
Read MorePosted by Aleks Sierz | 6th Sep 2024 | London, Review, Theatre and Politics, United Kingdom
Adultery is the great staple of modern British playwriting. The anguish of marriage, and the...
Read MorePosted by Tessa Coenen and Zuzanna Madurska | 6th Sep 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
Introduction Gdzie Jest Tata? (Where is Daddy?) as seen at the New Theatre for Children Festival...
Read MorePosted by Tessa Coenen | 4th Sep 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The story about Koko the gorilla who learns sign language has been well documented in scientific...
Read MorePosted by Margaret Rose | 4th Sep 2024 | Edinburgh 2024, Festivals, Review, United Kingdom
Every year at the Edinburgh Fringe, Paines Plough, a UK touring company specialised in...
Read MorePosted by Zuzanna Madurska | 2nd Sep 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Slovakia
Creating theatre for the very young – one that can hold their attention, stimulate the right...
Read MorePosted by Maria Karaś, Jacky Lie-An-Joek and Tessa Coenen | 2nd Sep 2024 | New Theatre for Children Festival, Wrocław 2024, Poland, Review, Theatre for Young Audiences
The play Drapando, czyli Atak Zamszałego Starucha (Drapando, or the attack of the mossy old man)...
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Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026 
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026 
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