“The Constituent,” Old Vic
Good timing — as the UK’s general election campaign goes into its final week, this large-scale...
Read More
Review
Death Is Funny, Death is Lame, Death is Sudden, Death Can Happen to “Anybody”
A bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné...
Read More
“My Father’s Fable,” Bush Theatre
Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the...
Read More
“Laughs In Spanish” Review
Laughs in Spanish by Miami native Alexis Scheer is a love letter to her city, specifically the...
Read More
How Padmavati Rao Embraces Life Through Theatre And Activism
Multifaceted in the true sense, Padmavati Rao approaches every character with humility and...
Read More
Liu Xiaoyi’s Creative Revolution
Liu Xiaoyi is a man on a mission. His juice is an imagined world where artists are in the driver’s...
Read More
Exploring A Dystopian World: Where Water Reigns Supreme In Human Transactions
In a world devastated by the apocalypse, where water has become the new currency of human...
Read More
Ali Asghar Dashti & Nasim Ahmadpour – “We Came To Dance” (Kunstenfestivaldesarts)
“Can we fundamentally give a dancer an order to stop moving? […] Is dance not defined as the...
Read More
Critical Generosity as a Decolonial Praxis
A view on EXÓTICA, by Amanda Piña / Studio Fortuna Art criticism is a stronghold of Western...
Read More
CPH Stage Festival 2024
The 12th annual edition of CPH Stage Festival has come to a close. The cultural highlight that...
Read More
Netherworld or Right Now?
Staged in the round with fewer than 25 people in a white box that feels like a gallery space, The...
Read More
Hopes, Dreams, Revenants and Repetitions: La Zaranda’s “Manual Para Armar Un Sueño/Manual For Building A Dream” At Barcelona’s Teatre Romea
La Zaranda are one of Spain’s best kept theatrical secrets. Not because they are not well known or...
Read More
Sentimentality and Mentality, Apocalypse and Theatrical Eclipse at 69th Sterijno Pozorje
The (Post)apocalyptic Light of the Stage – is the slogan of the 69th Sterijno pozorje, a festival...
Read More
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-Winning Play Shows the Impacts of a Second Language on Identity
Sanaz Toossi’s English at the Kiln Theatre: Pulitzer Prize-winning play shows the impacts of a second language on identity
Read More
“Homo Pentecostus:” On Queer Intimacies, Religion, Ancestry And The Human Need For Connection
Music pumps; lights pulsate; two sweaty bodies sway together, touching, breathing in each other’s...
Read More
“Lie Low,” Royal Court
Faye is okay. Or, at least she says she’s okay. But is she really? And, if she really is okay,...
Read More
Back to Back’s “Multiple Bad Things” takes a sophisticated look at the moral ambiguities of today’s ‘culture wars’
Back to Back Theatre is an internationally lauded ensemble of collaborators based in Geelong. With...
Read More
When Theatre Meets Gaming: “Third Law” at Culture Lab LIC
I’ve long been fascinated by the concept of incorporating video game mechanics into theatrical...
Read More
Holes In The Hole
When I first heard that Suzan-Lori Parks had taken up the story of Thomas Jefferson and Sally...
Read More
“Bluets,” Royal Court
When does creativity become mannered? When it’s based on repetition, and repetition without...
Read MoreLike Us On Facebook
Most Popular Posts
- James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025
- Debating Identity: Is It Time to Rename Cairo’s… 26th September 2025
- “Tired” Of Consuming Postdramatic… 31st August 2025
