Giuliana Musso Performs Franz Kafka’s “The Ape”
In his short story, A Report to an Academy, written and published in 1917, Franz Kafka imagines...
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Coral Wylie’s Lavender, Hyacinth, Violet, Yew at the Bush Theatre: Tender And Original Debut About The Black Queer Experience
Diaries are dynamite — they hold secrets, and secrets can tear families apart. In Coral Wylie’s...
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Laura Horton’s Lynn Faces at the New Diorama Theatre: Surreal Gig Theatre Event Explores Coercive Control Through Comedy
British people are socially awkward: this explains why we talk about the weather, queue...
Read More![Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Language Is Leaving Me: A Cinematic AI Opera Of The Skin [Part II]
Ellen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. ...
Read More“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the...
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Playwriting Awards in Taiwan: Recognition and Reality
Playwriting awards have always been a promised land for playwrights. For emerging storytellers,...
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Show/Boat: A River Slashes Open an Old Classic
“The singing is nice, but the staging is atrocious.” So remarked the couple sitting behind me at...
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The Horror of Mundanity in NYTW’s A Knock On the Roof
Any frequent theater-goer is likely familiar with the “two block rule”, a piece of etiquette that...
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Dropping Balms
With the United States now governed by swaggering, ignorant bigots spewing xenophobic venom,...
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Culture Belongs To Humanity! Not To The Armies
An Interview with Bouboulina Nikaki, Thessaloniki-Athens, Greece – International theatre...
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Eline Arbo’s The Years At The Harold Pinter Theatre: Nobel Prize Winner Annie Ernaux’s Book Gets A Problematic West-End Staging
Marketing is the new real. For many years, in theatre as elsewhere in society, the most important...
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Getting Known
Beckett Briefs is a great title for a program of short plays by Ireland’s most famously laconic...
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Тim Rice – 80: The Нero and His Many Anniversaries. Part II
The first part of this interview is available here. Tim Rice has been lucky to work with many...
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A Dystopian Sci-Fi: “Honey, I’m Home”
Factory Theatre, renowned for showcasing the latest works from Canada’s alternative and...
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Lucy Kirkwood’s “The Welkin” (“Empireo”) In Milan
Some of the outstanding works by British playwright Lucy Kirkwood are finally being staged in...
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A Canadian Epic: “Come From Away”
The Tony Award-winning Musical Come From Away, written by Irene Sankoff and David Hein, premiered...
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Rameau reinvented: Peter Sellars stages “Castor et Pollux” at the Opéra National de Paris
Peter Sellars isn’t afraid of taking risks. It’s part of his approach to making work, as his 2024...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]](https://thetheatretimes.com/wp-content/uploads/2025/01/5-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part II]
To read PART I of this interview, go to this link. Collective Interview with V4 Improv...
Read More![V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/1-Photo-credit-Vesna-A-Briskoska-627x376.jpg.webp)
V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
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Europe As a Beautiful Mess: An Interview with Heidi Wiley, Executive Director of ETC
For 15 years now, Heidi Wiley has been Executive Director of the largest and most influential...
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