Claire Dowie’s Why Is John Lennon Wearing a Skirt? at the Finborough Theatre: Pioneering Queer Theatre Artist Revisits Her Greatest Hits
Let us always remember the pioneers. Although there is a fair amount of relatively mainstream...
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Terence Rattigan’s In Praise of Love at the Orange Tree Theatre: Rarely Revived 1973 Study Of Love In A Time Of Deception
Only the truth, we are told, can set us free — but there are times in love when the New Testament...
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Creating History, Changing the Future, or Enslaved in Eternal Present: 70th Sterijino Pozorje Festival
In honour of playwright Jovan Sterija Popović, Sterijino pozorje was held this year for the...
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Man Out Of The Blue
Angry Alan is an ickily pointed cautionary tale about an ordinary guy who falls into the rabbit...
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Doctor, Doctor, Doctor
Jeffrey Hatcher’s new version of The Imaginary Invalid, directed by Jesse Berger, is a smart and...
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Pandora`s Ritual: To “Kill My Darlings” On The Brink Of An Individual Existential Revolution
An interview with Wichi, a theatre director and actor, Athens, Greece Wichi was born in...
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Ekman / León-Lightfoot / Dawson – A Dance Evening of Excellence at Rome Opera House
Under the artistic direction of the étoile Eleonora Abbagnato, Rome Opera House (Teatro dell’Opera...
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Ubu Is The Symbol Of Rebellion Tyranny And Stupidity/Budget Cuts In Culture – A Serious Threat
An Interview with Chantal Boiron, editor-in-chief for UBU Scenes d`Europe/European Stages, Paris,...
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”The Village”, Revolver Copenhagen
There is a big screen hanging above the stage on which four faces in four individual frames are...
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“The Pillars of the Earth”: Bestseller and Musical. An Exclusive Interview with Ken Follett. Part II
For the first part of the interview go here. From the earliest musicals, one can trace the...
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“Hamlet”, Teatro La Plaza, Barbican
’To be or not to be’, that is a question with a completely new ring to it in Teatro La Plaza’s...
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Catharsis in the Eleventh Row: The Aesthetics of Truth on Stage and an Audience That Is Not Afraid of the Dark
The time of frozen catharsis is now. But what kind of theatre refuses purification? Theatre...
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“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
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The Theater of Metaverse
Introduction It seems that the mission of the father of arts, “theatre”, as well as...
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Do Not Get Your Acting Degree So That You Can Become Part Of The Payroll, Only To Satisfy Your Appetites
An Interview with Mr.Bajrus Mjaku – one of the most remarkable theatre character actors from...
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A “Self-Portrait” By Davide Enia
Playwright, actor, director and novelist Davide Enia had his first success as a theatrical...
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“The Cherry Orchard” By Benedict Andrews: A Stark Mirror For A Collapsing Present
Benedict Andrews’ reinvention of Chekhov’s The Cherry Orchard at St. Ann’s Warehouse raises the...
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Black and White. Aleksandr Volodin’s “Five Evenings,” directed by Eduard Tolokonnikov, produced by Polina Belkina, in New York City (March 20-30, May 28-June 15, 2025)
Soviet nonconformist art was emerged in the 1950s when artists dared to transcend the official...
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Conor McPherson’s The Brightening Air at the Old Vic: Wonderfully Numinous And Eccentric Account Of Family Life In 1980s Rural Ireland
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
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A Play About Abortion – “Hypothetıcal Baby”
Hypothetical Baby is a one-woman show written and performed by Rachel Cairns, centered on her own...
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