“English,” a Gate to Enriching Desired Dreams
Do you speak any languages besides your mother tongue, especially as an adult learner? How do you...
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Featured
“Earworm:” Entangled in the Political Landscape
Toronto’s theatre scene thrives on its multicultural identity, a modern-day Tower of Babel...
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Legacy of TiyatroTem on the Independent Theatre Scene of Turkey after 2000s
TiyatroTem (2001-2017) was established by Şehsuvar Aktaş (b. 1964) and Ayşe Selen (1955-2017) in...
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A Story Of Trauma, Hope And Regaining Control, “Nayika: A Dancing Girl” Is Soul-Stirring Dance Theatre
The complex and grappling issue of violence against women takes centre stage in the soul-stirring...
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Igor Vuk Torbica (1987 – 2020) – Balkan “Prince of Theatre” – The third Igor’s Days
He lived for 33 years, and then he left us. He had his first professional direction in the...
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From Exile to Redemption
Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines.
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Obari Gomba’s Grit and the Politics of Vendetta
On 9th April, the University of Nigeria, Nsukka, produced Obari Gomba’s Grit directed by...
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Refugee Voices Take Centre Stage At UK Theatre Company
In a darkly lit arts studio in London, five young actors highlight their scripts and go over...
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How To Recognise Us? The Foreign Women In London: Theatre Review Of “Don’t Get Me Wrong”
Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the stage at The Hen & Chicken Theatre in March 2024 to present their musical production, “Don’t Get Me Wrong”. Through their performance, they delved into the intricate tapestry of challenges and joys experienced by those navigating life in the vibrant yet daunting urban landscape of the UK’s largest city.
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“Gunter,” Royal Court
Readers who don’t think much of football won’t be surprised to hear that this tale of murder and...
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Retro-futurist Green Theatre: Trick of the Light’s “Suitcase Show”
A new show from Trick of the Light theatre company is always something special, and Suitcase...
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“The Divine Mrs S,” Hampstead Theatre
British theatre’s love of theatre about theatre offers a chance for some moments of meta, but do...
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I Wholeheartedly Recommend “The President:” A Brilliant Revival Of A Play Of Decay, Terror And Revulsion
Decay, terror, revulsion. These are three of the central themes of Thomas Bernhard’s rarely...
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Bharatiya Vidya Bhavan’s Theatre Festival Featured A Range Of Themes
Tiruchiyai Meetta Sundarapandiyan and Blackout — two plays with different plots were presented...
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Mad Spring Roundup
Well, it’s happened again. The torrid pace of new openings this spring has outstripped my ability...
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Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024
2024’s New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish,...
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New Play “The Exact Dimensions of Hell” Explores The Chaos And Contradiction Of Teenage Girlhood – And Witchcraft
The relationship between witchcraft and teenage girls has been the subject of many books, films...
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Sharm El-Sheikh Int’l Theatre Festival For Youth Wraps Up Its Poland Monodrama Edition
The monodrama edition of the Sharm El-Sheikh International Theatre Festival for Youth (SITFY),...
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“Without a State:” a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging
Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several...
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“London Tide,” National Theatre
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the...
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