Taylor L. Ciambra

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Taylor L. Ciambra (they/them) is a nonbinary theatre artist, educator, writer, and poet. Currently, they reside in Portland, Oregon where they encourage middle schoolers to project, have fun, and be their best selves on and off stage.

“Macbeth” at Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America

“They [the Macbeths] have many attributes that we all share in contemporary society, including...

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“As You Like It”at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 11th Jun 2019 | Review, Theatre and Gender, United States of America

To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...

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“Hairspray” at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America

John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...

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Molly Lowe And Bertolt Brecht: Making The Familiar Strange

Posted by Taylor L. Ciambra | 19th Jan 2019 | Essay, New York, Theatre and Gender, Transmedia, United States of America

Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...

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Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller

Posted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America

“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...

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Can You Hear Me Now? Dramaturgy: Speaking With Many Voices

Posted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America

When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...

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“JenXponential,” A Story Of Potential 24th April 2026
“Frankenstein (History Of Hate)” 23rd April 2026
“Art Of Andalucia:” Rain Outside, Fire Within. Daniel Martinez Flamenco Company at The Haymarket, Basingstoke, Hampshire. 22nd April 2026
“Handle With Care” At Milan’s FOG Festival 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part II 22nd April 2026
Developing Theatre And Performance Pedagogy Through Marae-based Wānanga In Aotearoa/New Zealand. Part I 21st April 2026
A Successfully Funny Perspective On Life Aspirations In State Theatre Oldenburg’s Production Of “Bondy Beach” 15th April 2026
Chekhov’s “Uncle Vanja”, directed by Yana Ross at the Royal Theatre, Copenhagen 14th April 2026

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