Taylor L. Ciambra

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Taylor L. Ciambra (they/them) is a nonbinary theatre artist, educator, writer, and poet. Currently, they reside in Portland, Oregon where they encourage middle schoolers to project, have fun, and be their best selves on and off stage.

“Macbeth” at Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 21st Aug 2019 | Review, United States of America

“They [the Macbeths] have many attributes that we all share in contemporary society, including...

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“As You Like It”at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 11th Jun 2019 | Review, Theatre and Gender, United States of America

To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...

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“Hairspray” at The Oregon Shakespeare Festival

Posted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America

John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...

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Molly Lowe And Bertolt Brecht: Making The Familiar Strange

Posted by Taylor L. Ciambra | 19th Jan 2019 | Essay, New York, Theatre and Gender, Transmedia, United States of America

Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...

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Perspectives In Prison Theatre: Interview With Bruce Levitt And Lorraine Moller

Posted by Taylor L. Ciambra | 19th Oct 2018 | Acting, Devised Theatre, Interview, United States of America

“…Hamlet gives them cultural capital. It gives them ownership of something unique, not just...

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Can You Hear Me Now? Dramaturgy: Speaking With Many Voices

Posted by Taylor L. Ciambra | 16th Feb 2018 | Dramaturgy, Interview, United States of America

When describing the role of a dramaturg Dr. Philippa Kelly says this: “I see a dramaturg’s shadow...

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Recent Posts

Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and artistic responsibility 4th February 2026
“A Place Of Safety, A Journey In The Central Mediterranean” 3rd February 2026
Kia Mau Festival Brings Hana Keaka (Hawaiian Language Theatre) to Aotearoa: “Puana” by Tammy Haili‘ōpua Baker 29th January 2026
“Before The Storm” (“Prima Del Temporale”) At Milan’s Piccolo Teatro 27th January 2026
How to Make Rube Goldberg Punk Rock: Narcissister’s “Voyage Into Infinity” 27th January 2026
Martin Crimp’s Version Of “The Seagull” Makes It To The German Stage 26th January 2026
Under The Radar Fest: Testo 23rd January 2026
Sharing Crafts, Or Laboratory Space 12th January 2026
For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026

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