“For They Do Not Know What They Dance”? (A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance) – PART II
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 9th Jun 2022 | Belgium, Dramaturgy, Education, Essay
This is Part II of the essay. To read Part I, click here. 8. (ON A-HUMANISM, AGAIN) A-humanism is...
Read MorePosted by Rudi Laermans | 8th Jun 2022 | Belgium, Dramaturgy, Education, Essay
(A Lecture-Essay Hesitantly Affirming the Idea that Every Lecture is Also a Performance)[1]With...
Read MorePosted by Rudi Laermans | 6th Jun 2019 | Norway, Review, Transcultural Collaborations
Penelope Sleeps begins in medias res. Three performers, lying as though dead onstage, and a small...
Read More

Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 
Christopher Hampton’s “Les Liaisons Dangereuses” at… by Aleks Sierz 8th April 2026 
Writing On An Empty Stage: An Interview with… by Kuan-Ting Lin 9th July 2026 

“71 Minutes of Movement:” Dance and… by Corynn Harvieux 18th July 2026 | M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| 1 | 2 | |||||
| 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 |
| 17 | 18 | 19 | 20 | 21 | 22 | 23 |
| 24 | 25 | 26 | 27 | 28 | 29 | 30 |
| 31 | ||||||