Liam Rees

author

“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

Posted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics

A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...

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“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

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Truth and Reconciliation in “Under the Shade… by Verity Healey 2nd January 2026
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Recent Posts

For Bremen’s Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities 8th January 2026
Alan Ayckbourn’s Woman in Mind at the Duke of York’s Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling 8th January 2026
Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin’s Rehearsal Room 7th January 2026
Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen 6th January 2026
Echoes of a Crumbling Republic: Review of “Berlin” at Chicago’s Court Theatre (2025) 4th January 2026
“Leili And Majnun:” An Ancient Love Story For Modern Times 3rd January 2026
“With Ruby and I” – review – more McDonagh than Robinson 3rd January 2026
Truth and Reconciliation in “Under the Shade of a Tree I Sat and Wept” – Kosovo 2nd January 2026
Thought-Provoking Crime Drama And Star Vehicle: “Nebenan” At The Renaissance Theater, Berlin 2nd January 2026
Learning To Listen, Struggling To Hear: Katie Mitchell’s “Cow / Deer” 2nd January 2026

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