Liam Rees

author

“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

Posted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics

A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...

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“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

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Most Popular Posts

The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
FITPTI – International Festival For Young… by Teodora Medeleanu 31st October 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
Six-Hour Tour De Force “Hamlet” In Hamburg,… by Daniel Meyer-Dinkgräfe 27th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
LegalAlien’s “The Flowers of… by Verity Healey 27th October 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025

Recent Posts

“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human 23rd November 2025
Evil Can Appear Beautiful 23rd November 2025
#Me Too Oedipus 20th November 2025
“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections 20th November 2025
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025
Dimension Zero: All Judy, No Punch 17th November 2025
Dupes of Hazard 16th November 2025
Nearly Finished 15th November 2025
The Filmed Performance “Woodland Bird Woman” – a Collaboration Between Esther Salamon, Robert Laycock And David Stephenson: Between.Pomiędzy Dispersed Festival 2025 9th November 2025
3sisters at the Novi Sad Theatre 7th November 2025

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